"Blessed be the sinners..." - NIGHT OF THE DEMONS (1988)
It's campy.
It's raunchy.
It's gory.
It's the beloved 1988 cult classic crowd pleaser, NIGHT OF THE DEMONS!
In fact, I love this movie so much, I'm throwing a two-part SPECTACULAHHHR.
Ten rambunctious teens throw a Halloween party in a spooky abandoned funeral parlor and end up raising hell.`
In part of the SPECTACULAHHHR, I'm joined by everyone's favorite heterosexual podfaders and Night of the Demons virgins, ALLISON NOWACKI and BRYAN J. POLK.
NIGHT OF THE DEMONS is available on SHUDDER, TUBI, and PEACOCK.
Directed by KEVIN TENNEY, written by JOE AUGUSTYN, starring CATHY PODEWELL, ALVIN ALEXIS, HAL HAVINS, ALLISON BARRON, WILLIAM GALLO, LANCE FENTON, LINNEA QUIGLEY, MIMI KINKAIDE, JILL TERASHITA and PHILIP TANZINI
Mentioned in this episode:
Bliss Book
Pick up the gnarly new survivor horror novel BLISS by Brandon Halsey on Amazon! "It's like 28 DAYS LATER meets THE STAND meets TRAINSPOTTING!"
This podcast uses the following third-party services for analysis:
Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp
Transcript
Hey everyone.
Speaker A:Before I start the show, I just wanted to give a shout out to Brandon Halsey.
Speaker A:Hi Brandon.
Speaker A:Brandon is my real life friend and also a longtime scream queens listener.
Speaker A:And Brandon had just published his first horror novel.
Speaker A:He sent me a copy of it and I gotta say, it's a gnarly little fucker.
Speaker A:I liked it.
Speaker A:It's called Bliss.
Speaker A:So in this book, Bliss is this new synthetic party drug that's sweeping the world.
Speaker A:Everybody wants some.
Speaker A:They'll do anything to get some.
Speaker A:It's the life of the party and it's ruining lives and all that great drug related stuff.
Speaker A:However, the some people have discovered that Bliss has got therapeutic properties.
Speaker A:So they're experimenting with using it to like help with couples counseling and unruly teens and even drug addiction.
Speaker A:They're using Bliss to get people off of Bliss.
Speaker A:But other people are experimenting with the darker side of Bliss.
Speaker A:They're trying to weaponize Bliss and make it into something that will turn everyday people into super soldier killing machines.
Speaker A:And guess what?
Speaker A:A huge shipment of Bliss just got surreptitiously dumped into a small town's water supply.
Speaker A:Bliss.
Speaker A:Like I said, it's a gnarly little piece of survivor horror.
Speaker A:Imagine 28 days later and the Stand had a baby with trains body.
Speaker A:This book is wild.
Speaker A:So readers, if you're daring and you want to try out a new author and you want to support a fellow screamer, get yourself a copy of Bliss.
Speaker A:There's a link down there in the show notes who use it.
Speaker A:There's a list down there in the show notes.
Speaker A:You can get it on Amazon.
Speaker A:What are you waiting for?
Speaker A:Try some Bliss.
Speaker A:It can unlock heaven, it can unleash hell.
Speaker A:But you won't know which until you take a little taste, baby.
Speaker A:Get your copy now.
Speaker A:Enjoy the show.
Speaker B:This program is a proud member of Univa's unified unique voices.
Speaker A:Learn more@univozpods.net hello, my name's Patrick and I'm a scream queen.
Speaker A:I'm a scream queen and so are you.
Speaker A:Hello again my beautiful, beautiful screamers.
Speaker A:And welcome to another episode of Scream Queens.
Speaker A:It's the podcast where horror gets gay.
Speaker A: This is episode: Speaker A:And to kick it off, I have two very special guests today.
Speaker A:They are two of my favorite guests of all time and two of my bestest friends.
Speaker A:And they have never seen the movie before.
Speaker A:So we're going to be introducing them to the wonderful world of Hull House.
Speaker A:Its demonic inhabitants and their lipstick filled titties.
Speaker A:And who are these very special guests?
Speaker A:Well, they haven't been here in a long time and I'm very happy they're back.
Speaker A:Allison Nowacki and Brian Polk.
Speaker A:But before we do any of that, please, please, please, please allow me to introduce myself.
Speaker A:My name is Patrick Walsh and For the past 15 years I have been your guide to the weird, wonderful world of horror.
Speaker A:Mo.
Speaker A:But I've made you see them through my very, very gay little eyes.
Speaker A:I'm not stopping now.
Speaker A:No siree Bob.
Speaker A:Listen, we're just going to cut right to the cheese tonight because this episode is two and a half hours long.
Speaker A:Because it's Allison and Brian.
Speaker A:So we're like blah, blah, blah, blah, blah.
Speaker A:Did I say blah blah blah?
Speaker A:I meant comedy gold.
Speaker A:And as always, we cannot talk about the movie without spoiling the movie.
Speaker A: seen Night of the demons from: Speaker A:It is streaming on Shutter and it is completely free on Tubi, Pluto, Sling tv, the Roku Channel.
Speaker A:Roku Channel, Roku Channel, Redbox, Plex.
Speaker A:If you can't find it, go fuck yourself.
Speaker A:It's even on Peacock.
Speaker A:It's literally everywhere.
Speaker A:So you have no excuse not to watch the movie before we go any further.
Speaker A:So better go do that.
Speaker A:It's time for me to bring on Allison and Brian and play the trailer for Night of the Demons.
Speaker A:A full moon, a spooky deserted mansion.
Speaker A:Halloween night.
Speaker A:All right, dudes and dusters, that's pretty 10 kids.
Speaker A:All they want to do is raise a little hell.
Speaker A:Now as long as they live, they'll.
Speaker B:Wonder.
Speaker A:What'S gotten into them.
Speaker A:Night of the Demons.
Speaker B:Stigma.
Speaker B:Blessed be the sinners, for the day of atonement is at hand.
Speaker C:Stop looking at me.
Speaker A:We're gonna get out of here.
Speaker A:Night of the Demons.
Speaker A:Party til you drop.
Speaker A:So as we are counting down these final episodes of Scream Queens, it's getting down to the nitty gritty.
Speaker A:And we're at the point where I need to talk about one of the most important pieces of cinema ever made.
Speaker A:And for that kind of weight, for that kind of not just dramatic weight, not just like critical weight, but like cultural weight.
Speaker A:I said, patrick, you are going to need the best guests you've ever had, the most popular, and also the ones that are your best friends in the whole world.
Speaker A:Unfortunately, they weren't available, so we're stuck with these two ladies and gentlemen, boys and girls at my GNCs, wherever you may be, please welcome back to this Grave Queen studio Alexander we and Brian J.
Speaker A:Polk.
Speaker A:Yay.
Speaker C:We got invited back.
Speaker C:I thought after last time, we'd never be allowed on the show again.
Speaker B:I'm really glad I, like, had those other friends get out of dodge so we can watch this movie.
Speaker A:I don't know what any of them at inside jokes and I'm not in on.
Speaker A:Please, please continue.
Speaker A:Please continue to leave me out of the conversation that I'm hosting.
Speaker A:So it has been a hot minute since you've been here, Alison and Brian.
Speaker A:What have you been up to?
Speaker A:What are some awesome things that have been happening in the lives of you, too?
Speaker C:Oh, geez.
Speaker A:Well, not the band.
Speaker A:Not the band.
Speaker C:The joke.
Speaker C:I was going to.
Speaker A:You're welcome.
Speaker C:I know what has been going on.
Speaker C:We have a new kitty.
Speaker B:We do.
Speaker C:We have a little district attorney, Anita Beta.
Speaker C:Little orange.
Speaker A:She's a cat lawyer.
Speaker A:That's very serious.
Speaker A:That's a good thing to have on your side.
Speaker C:Yes, yes, yes, yes.
Speaker B:I'm the mother of a doctor and a lawyer.
Speaker C:Dr.
Speaker C:Termina stinks.
Speaker C:And Ebeda.
Speaker C:Yeah, they're very nice.
Speaker C:They're very little.
Speaker C:He's four, she's going to be one.
Speaker C:So they both still have way too much kitten energy while she passed the.
Speaker A:Bar before she's even 1 years old.
Speaker A:Take that, Kim Kardashian.
Speaker C:So that.
Speaker C:That's been.
Speaker C:I mean, how long has it been?
Speaker B:It's been a long time.
Speaker C:Yeah.
Speaker A:I mean, I don't know if I have.
Speaker A:I seem to recall, like it was like, after Dr.
Speaker A:Giggles.
Speaker A:I never want to talk to either one of you ever again.
Speaker A:But I'm not sure.
Speaker A:That may not be accurate.
Speaker C:No.
Speaker C:We did Psycho Gorman.
Speaker C:I think that might be Psycho Gourmand.
Speaker A:Right, of course, of course, of course.
Speaker A:Because it couldn't possibly get any better than that.
Speaker A:Yeah.
Speaker A:Because that movie's amazing.
Speaker A:However, this movie is much better.
Speaker A:And also it's the best movie ever made ever, in the entire history of the world.
Speaker A: ons from the fabulous year of: Speaker A:Brian.
Speaker C:Yes.
Speaker A:I need you to make your wife give me a nice 30 second back of the DVD plot summary of the movie.
Speaker A:Night of the Demons.
Speaker A:The clock starts.
Speaker A:Hey.
Speaker A:See what I did there?
Speaker A:She thought she was gonna have to do it because I know she hates it anyway.
Speaker B:Oh, my God.
Speaker B:So Halloween night, instead of going to the school dance like good kids These kids go to Hull House and try to throw a party, but instead get possessed and crazy shenanigans happen.
Speaker B:Bump, bump, bump.
Speaker A:Brian J.
Speaker A:Polk.
Speaker A:Is there anything you want to add to that?
Speaker C:No, that's perfect.
Speaker C:Plot summary for the back of a DVD rental or a cassette rental showing my age.
Speaker B:Vhs.
Speaker A:I will.
Speaker A:I will agree with all that.
Speaker A:I will agree with all that.
Speaker A:But I will go in, we'll throw in his boobs.
Speaker A:Gore titties and boobs.
Speaker B:We'll get there.
Speaker B:Oh, we'll get there.
Speaker A:Oh, I know that.
Speaker B:But I didn't want to give away the.
Speaker B:You can't give away the best part of the movie in the back of the vhs, honey.
Speaker A:Everybody.
Speaker A:Everybody knows.
Speaker A:Everybody knows because these tits are not just.
Speaker A:They're not.
Speaker A:It's not just the tits that are legendary.
Speaker A:The people who own them are legendary.
Speaker A:Like, these are horror.
Speaker A:Like, horror heavy hitters getting their tits.
Speaker A:Linnea Quigley, who plays Suzanne, the one in pink, she.
Speaker A:Her job, she's been in everything for the past 40 years, and her job is to get naked and die.
Speaker A:That's what she does.
Speaker A:And she does it really well, and we love her for it.
Speaker B:And plus, on top of that, it was great.
Speaker A:On top of that, she's a wonderful person and an animal activist, so she would probably be really against you sending your cat into a job like that, not letting them be normal.
Speaker C:This is la.
Speaker C:There's a high cost of living.
Speaker C:They need to earn their kids.
Speaker A:I'll take it up with Linnea Quigley.
Speaker A:Okay.
Speaker B:Don't come after us.
Speaker B:Don't come after.
Speaker A:So neither one of you had seen this before, right?
Speaker B:No.
Speaker A:Okay.
Speaker A:Because this.
Speaker A:This is.
Speaker A:This is one of these staple movies.
Speaker A:It's, like, everybody's favorite Halloween party movie.
Speaker A:This is one that you get.
Speaker A:This is, like, a perfect crowd film.
Speaker A:And honestly, Allison, people have been begging for me to cover this movie with you since, like, for, like, 10 years now.
Speaker B:Really?
Speaker A:And I bet you don't know why.
Speaker B:I'm honored.
Speaker B:I'm honored.
Speaker B:Thank you, audience.
Speaker B:Because to be honest, I've never.
Speaker B:I've never seen this movie.
Speaker B:To be honest, I've never heard of this movie.
Speaker B:I am very.
Speaker B:I just dabble in the horror crowd.
Speaker B:Right.
Speaker B:I'm not, like, in it deep.
Speaker B:I'm.
Speaker B:I'm your.
Speaker B:I'm your horrible mainstream horror kind of person.
Speaker B:So thank you, because I actually really enjoyed this movie.
Speaker B:I loved it.
Speaker A:I figured you would, because it's bonkers and it's got boobs.
Speaker A:Anywhere else.
Speaker B:Boobs aside, legendary boobs aside, I.
Speaker B:I love this mov movie from the first graphics I saw in the.
Speaker B:The intro segments, like that opening sequence with those graphics.
Speaker B:It had me from there.
Speaker B:So I was in one of the.
Speaker A:Best animated intros that's out there.
Speaker B:Yes, Absolutely loved it.
Speaker B:And.
Speaker B:And I.
Speaker B:It was very long, don't get me wrong.
Speaker B:But I loved every second of it.
Speaker B:It also one of the longest probably animated intros that I've seen in a while.
Speaker B:But I loved it.
Speaker B:It was so cool.
Speaker B:I had no idea what I was getting into, but it was.
Speaker B:Because with Patrick, you never know.
Speaker B:It's either, like, amazing or the worst.
Speaker B:So you never know what you're gonna get.
Speaker B:But.
Speaker B:But I like the graphics.
Speaker B:I loved it.
Speaker B:I was immediately like, okay, I get with this.
Speaker C:She said it like five times.
Speaker C:Like, these graphics.
Speaker C:O' Brien.
Speaker A:No, they're great.
Speaker A:They're great.
Speaker A:What I love about fun facts about them, that was done by.
Speaker A:I don't have her name in front of me because I'm a horrible person.
Speaker A:She was a Disney animator, so she was animated.
Speaker A:She was working on the Little Mermaid at the time.
Speaker A:So she's animating Ursula by day and doing the graphics for this by night.
Speaker B:Oh, my gosh.
Speaker A:And I also.
Speaker A:That's even greater because it's clearly a ripoff slash homage of the Night of Ball Mountain segment of Fantasia.
Speaker B:Oh, yeah, yeah, I can see that.
Speaker B:I can see that 100%.
Speaker A:And it gave you titties right there in the opening credits.
Speaker A:One of those demons that float by, have their tits out.
Speaker B:Okay.
Speaker B:I had to, like, look for it.
Speaker B:I'm glad you told me beforehand, because it does go by, like, you know, like, if I wasn't looking for it, I was like, I gotta find him.
Speaker B:It was like, where's Waldo?
Speaker B:You know what I mean?
Speaker A:You see bullet tents?
Speaker B:Bullet tents.
Speaker A:Which one?
Speaker A:What's the other one?
Speaker A:What was the other one's name?
Speaker B:Jake and Amir.
Speaker A:Because for those of you who haven't been listening, who are up are our antics.
Speaker A:Normally I'll text Allison a lot in the days before with, like, random stuff from the movie.
Speaker A:And she's like, I haven't watched it.
Speaker A:I haven't watched it.
Speaker A:I was considering doing lists of.
Speaker A:I was considering texting a shit.
Speaker A:That doesn't happen in the movie.
Speaker A:Oh, my God, you're going to love the birthday scene.
Speaker A:Exactly.
Speaker A:Like, I haven't watched it.
Speaker A:Or so just respond with, CM Punk picks that gift.
Speaker A:That's all she does.
Speaker B:It's true.
Speaker B:It's true.
Speaker A:But I said, you know what?
Speaker A:I'm just not going.
Speaker A:I'm not.
Speaker A:In case they don't like the movie.
Speaker A:I'm not going to do them this time.
Speaker A:I'm just going to say, just so you know, if you're not hooked in the movie, there are titties in the opening credits.
Speaker A:And then I wanted to come back.
Speaker A:I never met him.
Speaker A:No.
Speaker A:And then we have this argument.
Speaker A:No.
Speaker B:She saw them say, hold, freeze frame, frame by frame.
Speaker B:I'm looking for these things.
Speaker B:No, But I love that opening sequence.
Speaker B:And yes, do respond to most of Patrick's texts with CM Punk pictures.
Speaker B:Just Patrick, everybody.
Speaker C:That's right.
Speaker B:And I felt true Patrick.
Speaker B:Patrick does usually try to like, prep us a little bit for the movie.
Speaker B:And I'm glad that you didn't.
Speaker A:Nothing.
Speaker A:Nothing.
Speaker B:You gave me nothing.
Speaker C:You gave us countdown.
Speaker B:You gave us the countdown.
Speaker C:But I'm every day a different number counting down to the record.
Speaker B:I'm glad though, because, like, I really did just naturally like on, like, like this movie.
Speaker C:Yeah.
Speaker C:At the end of it, that's what you said.
Speaker C:She was like, I really, actually really liked this movie.
Speaker B:Just like, really like this movie.
Speaker C:That was fun.
Speaker C:That was good.
Speaker B:Yeah, it was super fun.
Speaker B:So I'm glad you didn't tell me too much because I would have had different expectations, you know what I mean, going into it.
Speaker A:So that.
Speaker B:And I was at WrestleMania and I just would have been like, whatever.
Speaker A:I don't see CM Punk in this.
Speaker A:He does horror movies now.
Speaker A:He's not in this.
Speaker A:Why don't we do a CM Punk movie?
Speaker A:Blah, blah, blah.
Speaker A:Anyway.
Speaker A:But no, enough about him.
Speaker A:But.
Speaker A:But this is one of these movies, one of these 80s horror movies that they just don't make anymore.
Speaker A:Yeah, it's camp without trying to be camp.
Speaker A:And it's got this weird stuff like, like you were talking about the opening crisis animation crazies does set you up for what you're in for because you're not in a realistic world.
Speaker A:Like, these kids are not like normal kids.
Speaker A:They have their own way of speaking.
Speaker A:They have their own vernacular.
Speaker A:Like everyone is out of a different movie.
Speaker A:Like, Sal's from.
Speaker A:Sal feels like he's a jet from west side Story.
Speaker B:Yes, yes, he is.
Speaker B:He's ready to rumble at any given moment.
Speaker A:And just the way he talks.
Speaker A:And he talks like an old movie, which I think is so fun, but everybody's like that.
Speaker A:And you've got Stooge the bully, who is so awful.
Speaker A:Like everything out of his mouth is awful, but yet you love him at the same time.
Speaker A:Normally I would hate A character like this, yeah, but it embraces all these bad things.
Speaker A:But that also has really great, innovative things happening at the same time.
Speaker A:And then some of these people, not the best performers or not giving the best performances, like classically great performances, but in the end, you're like, you know what?
Speaker A:Everybody delivers.
Speaker B:Yeah, I said that to Brian, too.
Speaker B:I said the acting in this is actually, like, really good.
Speaker B:For what?
Speaker B:For what?
Speaker B:This is like.
Speaker B:I got sucked in.
Speaker B:Everybody was playing their role, even though Sal was from, like, New Jersey or whatever he was from.
Speaker A:But.
Speaker C:And I was just like, yeah, I think.
Speaker C:I think if these people might have had, like, a couple more takes, they could have nailed it smoother, but I don't think this movie needs that.
Speaker A:It was.
Speaker B:I.
Speaker B:I really liked the acting.
Speaker B:It was great.
Speaker A:Funny.
Speaker A:Funny.
Speaker A:You mentioned that.
Speaker A:Like, they.
Speaker A:I.
Speaker A:I was watching the.
Speaker A:The extras on the.
Speaker A:On the Blu Ray and the director said all the scenes at the house at the beginning, like at Judy's house, the interiors and the scene with.
Speaker A:Outside with Sal and the little brother, who we'll get back to, who's fabulous.
Speaker A:He's fabulous.
Speaker A:He's the worst.
Speaker A:He's absolute worst.
Speaker A:The best thing at the same time.
Speaker A:But.
Speaker A:But they had the house for one night.
Speaker B:Oh, boy.
Speaker A:All of those scenes had to be shot in one night.
Speaker A:And it was really difficult.
Speaker A:It's like the house was so small and we.
Speaker A:We had to, like, set up the cameras in the yard and be shooting through windows to see the interiors properly.
Speaker A:So everything was extra work.
Speaker A:So people got one take.
Speaker B:Wow.
Speaker B:See, so you were right.
Speaker A:You were right for those scenes.
Speaker A:Anyway.
Speaker A:The later ones, not so much.
Speaker A:But the other scenes.
Speaker A:The other scenes at Hull House was apparently in a real dilapidated house.
Speaker A:They weren't in the studio.
Speaker B:Oh, nice.
Speaker A:And it looks.
Speaker A:It looks great.
Speaker B:It looks great.
Speaker A:The set design and Hull House, I love all.
Speaker A:And the lighting design, like, all.
Speaker A:With all the slatted.
Speaker B:Yeah, yeah.
Speaker A:Great of great effects, though.
Speaker B:But anyway, it reminded me there were aspects.
Speaker B:And we'll.
Speaker B:We'll get to it, I'm sure.
Speaker B:But there are aspects of it too that made me feel like it was a video game.
Speaker B:I don't know if you guys felt this as well, but like.
Speaker B:Like when the.
Speaker B:When the possessed kids were, like, chasing after the other kids, they were like floating.
Speaker B:You know what I'm saying?
Speaker B:And they would be, like, going down the hallway and the kids would be, you know, the.
Speaker B:The kids that were running away kids.
Speaker B:They're probably like, 40.
Speaker B:No, I'm kidding.
Speaker A:But come back to that.
Speaker B:We'll come back, we'll go back to that.
Speaker B:But, like, they would be, like, hiding around the corner and you'd have the moment where, like, the possessed demon would look and then kind of keep going, like.
Speaker B:Like in a video game where it's like you're hiding from Boo the ghost or whatever.
Speaker B:Like.
Speaker B:Yeah, but it gave me that anticipation of, like, playing a video game and you're having that fun time and you're like, oh, like you're in it when you're in the video game with it.
Speaker B:Like, it gave me that feel.
Speaker B:I don't know if that explains it properly, but that's the closest I could.
Speaker B:That's the closest I could associate it to.
Speaker A:I get that in the early scenes, especially when.
Speaker A:When the demon stuff, the possession is being passed around with people not noticing.
Speaker A:Like when the.
Speaker A:When the.
Speaker A:When Suzanne gets it first and then she passes it to.
Speaker A:Yeah, that remind me of a video game too.
Speaker A:Like, what's among us?
Speaker A:Like, doing stuff with other people not noticing.
Speaker B:Very video gamey, to be honest.
Speaker B:That's kind of ahead of its time a little bit to be doing stuff like that.
Speaker B:Because now.
Speaker B:Well, given Common.
Speaker A:But yeah, given how video games were.
Speaker A:We were playing.
Speaker A:Still played Centipede.
Speaker B:Exactly.
Speaker C:They had sound effects from Asteroids in the movie earlier.
Speaker A:That was.
Speaker A:No, I heard Pac Man, Atari.
Speaker A:That's what I heard.
Speaker B:The music in this movie.
Speaker B:We'll get to it with the music in this movie.
Speaker B:You know, I was gonna love that.
Speaker A:I don't know.
Speaker A:Well, I.
Speaker A:I normally don't like synth scores, but I like this one a lot.
Speaker A:Particularly the main theme for, like, the opening credits, I think, rocks.
Speaker B:That was great.
Speaker B:Computer.
Speaker B:Computer Date.
Speaker B:I mean, we'll get to Computer Date.
Speaker A:But the song choices are great.
Speaker A:I think they all work really well.
Speaker B:We looked into Computer Day because I love that song.
Speaker C:All the songs, except for the Bauhaus song were done by the same guy.
Speaker B:We're done by the same guy for this movie.
Speaker A:So.
Speaker A:Ding dong, while Brian is right, the same guy wrote both of the pop songs for Night of the Demons.
Speaker A:That same guy is Dennis Tenney, who did the whole soundtrack.
Speaker A:And Dennis Tenney is also the brother of the director, Kevin Tenney.
Speaker A:Just wanted to get that out.
Speaker A:Just wanted to make sure that was clear.
Speaker A:And by the way, Allison is also right.
Speaker A:Computer Date rocks.
Speaker A:If you listen to the whole track, it's pop metal deliciousness.
Speaker A:And so is the other song that Dennis Tenney wrote, the Beast Within.
Speaker A:So find them on YouTube.
Speaker A:The link is down there on the show.
Speaker B:Notes Back to the show, if you have it anywhere.
Speaker B:Patrick, I need a clean version of the song Computer Dating.
Speaker B:Yeah, Computer Dating.
Speaker B:Because that song, it.
Speaker B:It.
Speaker B:It was better than the cleanup montage scene in that.
Speaker A:And that was your ringtone for, like, 15 years.
Speaker B:Yeah, it's getting replaced with Computer dating.
Speaker B:I loved it.
Speaker B: And the fact that this is: Speaker B:I'm like, oh, man.
Speaker A:Which would have been.
Speaker A:Which would have been new at the time.
Speaker B:At the time.
Speaker A:Yeah.
Speaker A:I'm glad you brought up the ages of people.
Speaker A:I used to make fun of this movie.
Speaker A:They're talking about going to the high school dance.
Speaker A:I'm like, oh, please.
Speaker A:Oh, please.
Speaker A:I'll grant you that they're too old for high school, but when I was watching the Blu Ray, I discovered they're all pretty much age appropriate.
Speaker A:They're all 18, 19, 20.
Speaker A:The oldest one is Linnea Quigley, who plays Suzanne, who's 26.
Speaker A:I think it's the Halloween maker.
Speaker A:And also being the 80s.
Speaker B:Yeah, I think it's the 80s.
Speaker B:I think it's the 80s.
Speaker C:Wow.
Speaker B:Wow.
Speaker B:Oh, I'll take that, then.
Speaker B:I'll take that, Elle.
Speaker B:That's good for them.
Speaker A:One of the cast members is a celebrity family member.
Speaker C:Oh, what?
Speaker B:Who?
Speaker A:Amelia Kincaid, who played.
Speaker A:Or Mimi Kincaid, depending, who played Angela, whose party it was in the Black Wedding.
Speaker A:Yeah.
Speaker A:Her aunt is Rue McClanahan.
Speaker C:No, Blanche Deburau.
Speaker A:There's pictures of Rue McClanahan on set with Angela in full makeup.
Speaker B:What?
Speaker B:Oh, my gosh.
Speaker A:You can see it in the cheekbones and in the smile.
Speaker B:Now I have to go back once, you know?
Speaker A:Once, you know.
Speaker B:Yeah.
Speaker B:Now I have to go back and.
Speaker A:Look, I've heard people, when they heard, say, like, I think that's terrible.
Speaker A:I can't believe Rue McClanahan was there and.
Speaker A:Because her.
Speaker A:Her.
Speaker A:Her niece, when she did a striptease in the middle of the movie, which she doesn't, but she does an erotic dance in the middle of the movie.
Speaker A:I.
Speaker A:I screened the movie last night.
Speaker A:I opened it with a clip of Ruma Clanahan doing a strip tease in a movie from the 60s.
Speaker A:It runs in the family.
Speaker A:It runs in the family.
Speaker A:Yeah.
Speaker A:So.
Speaker A:But, yeah, I think it's cool.
Speaker A:I think it's cool.
Speaker B:That is so cool.
Speaker B:No, I do think it's cool when it's like.
Speaker B:Don't get me wrong.
Speaker B:I'm not saying, like, nepo babies, like, whatever, but I do think it's cool when there's, like, support within the Family.
Speaker B:So, yeah, beyond set, have fun.
Speaker B:Like YOLO.
Speaker B:You only.
Speaker A: And this was: Speaker B:Yeah.
Speaker A:Golden Girls era.
Speaker A:She took time out to come visit.
Speaker B:Yeah, absolutely.
Speaker A:She left the cheesecake and the lanai to come visit Hull House.
Speaker A:And I think that's pretty cool.
Speaker A:That's pretty cool.
Speaker A:But that's one gay connection.
Speaker A:The other thing that things.
Speaker A:The character of Roger.
Speaker A:Yeah, for some.
Speaker A:For some.
Speaker A:The.
Speaker A:The pirate guy.
Speaker A:Yeah, it's not in the script.
Speaker A:I've learned over time, most people think he's gay.
Speaker A:And the more I watch him go, it actually works if you make that character gay.
Speaker A:Yeah, he's.
Speaker A:He's the only one not paired up.
Speaker B:He's not paired up.
Speaker B:And he's not trying to be paired up either.
Speaker B:Like, everybody else is trying to, like, get it in, and he's.
Speaker B:He's just there to have a good time.
Speaker C:Yeah.
Speaker B:He just wants to have fun.
Speaker A:Well, here's.
Speaker A:Here's.
Speaker A:Here's.
Speaker A:Here's my fanfic.
Speaker A:Here's my fanfic.
Speaker A:Is my fanfic.
Speaker A:Here's what I think happened.
Speaker A:And it actually.
Speaker A:It actually really plays very well.
Speaker A:I can't decide.
Speaker A:Helen is his fat gag.
Speaker A:It's his best girly friend.
Speaker B:Of course.
Speaker A:And now.
Speaker A:And now she's dating Stooge.
Speaker A:And so now it's a trio all the time.
Speaker A:And he doesn't fit.
Speaker B:Yeah.
Speaker C:Yeah.
Speaker A:He's always the tag along.
Speaker B:And also, like, feels like.
Speaker B:Feels kind of bad because Stooge is calling her a bitch all the time.
Speaker A:Here's the other thing.
Speaker A:Here's the other thing.
Speaker A:And I know you're going to take this the wrong way.
Speaker A:In my mind, Stooge is the alternate universe.
Speaker A:Brian J.
Speaker A:Polk.
Speaker C:What?
Speaker C:No.
Speaker C:I could never be that dude.
Speaker A:No, no, no, no, no, no, no.
Speaker A:Because here's the thing.
Speaker A:Stooge has this ability to say things like, get in the car, bitch, and we still love him.
Speaker A:Shut up and walk, bitch.
Speaker A:Shut up and drive, bitch.
Speaker A:So shut up and start walking.
Speaker C:A direct quote.
Speaker C:Festering fuck wads.
Speaker C:You can't take that bitch anywhere.
Speaker A:Exactly.
Speaker A:Festering F wads.
Speaker A:You cannot take this bitch anywhere.
Speaker A:That's exact line that Brian poke and you go, oh, Brian, it'd be the cutest thing out of Brian J.
Speaker A:Pon's mouth.
Speaker B:That's.
Speaker B:That's what he said when he first met me.
Speaker B:Like, and now we're married.
Speaker A:He's like, allison, now eat a bowl of.
Speaker A:Eat a bowl of.
Speaker A:Nice to meet you.
Speaker A:I was just gonna say I grew.
Speaker C:Up with people that said, eat a bowl of fuck like all the time.
Speaker B:I love it.
Speaker A:Because they got it from this movie.
Speaker A:They got it from this movie.
Speaker A:It doesn't exist anywhere else in this movie.
Speaker A:Brian.
Speaker A:He got it from Brian Wolford.
Speaker A:Guaranteed.
Speaker A:You got it from Wilford.
Speaker C:Oh, maybe.
Speaker B:My goodness, girl.
Speaker A:All right, I.
Speaker A:I don't know how to approach this movie, but what was.
Speaker A:It's a really long time before anything happens.
Speaker A:Let's just walk through the opening scenes.
Speaker A:Like, what's going on here?
Speaker B:It opens with this old man.
Speaker C:It's creepy.
Speaker C:Old man.
Speaker B:Creepy Old man being creepy.
Speaker B:And he hates Halloween.
Speaker B:Screw these kids, right?
Speaker B:Like, he's like Mr.
Speaker B:Wilson.
Speaker B:Right?
Speaker B:But if Mr.
Speaker B:Wilson wanted to put razor blades and apples.
Speaker B:Yeah, because that's what.
Speaker B:It's implied.
Speaker A:If Mr.
Speaker A:Wilson was the menace now, Dennis.
Speaker B:Yeah, he's now the menace.
Speaker B:And these kids are getting ready for Halloween.
Speaker B:You always need, like, you know, the guy that's the wet blanket, right?
Speaker B:And the kids are getting ready for Halloween.
Speaker B:And we have.
Speaker B:Is it.
Speaker B:Is it Judy?
Speaker C:Judy.
Speaker B:Judy.
Speaker B:And she wants.
Speaker B:She's a good girl.
Speaker B:She's the good girl.
Speaker B:And she wants to go to the dance with her boyfriend, Jay.
Speaker C:Jay Jansen.
Speaker B:Jay Jansen at Attorney at Law.
Speaker A:I'm sorry, we're only.
Speaker A:We're only going to refer to him from now on is my dead gay son.
Speaker A:Thank you very much.
Speaker B:Jay Jansen, Attorney at Law.
Speaker A:It's the guy from 8.
Speaker A:Lance Fenton from Heathers.
Speaker A:Please continue.
Speaker A:Yeah.
Speaker A:Shit.
Speaker B:Shit, isn't it?
Speaker C:I know.
Speaker A:Yeah.
Speaker C:It's been so long since I've seen Heathers.
Speaker B:Me too.
Speaker B:Me too.
Speaker B:And, you know, he's.
Speaker B:He's been dating her for a little bit.
Speaker B:He wants to get it in.
Speaker B:He goes, hey, let's not go to the school dance and be good kids.
Speaker B:Let's.
Speaker B:Let's go to Hull House with Angela.
Speaker B:Does this mean I should find another date for the dance?
Speaker B:Of course not.
Speaker A:Hey, I thought you'd be happy to go to a real party.
Speaker B:That school dance is for nerds.
Speaker B:Oh, okay.
Speaker B:Sure.
Speaker B:Why not?
Speaker B:Who's giving it?
Speaker B:I don't know if you know her.
Speaker C:Her name's Angela.
Speaker B:Angela?
Speaker B:No, the only Angela I know is that weird girl in history class.
Speaker A:Well, as a matter of fact.
Speaker B:Shay, you've got to be kidding.
Speaker B:Angela is such a weirdo.
Speaker B:Granny says she's into witchcraft and all sorts of creepy stuff.
Speaker A:Come on, you don't believe all that, do you?
Speaker B:It's a bunch of crap.
Speaker A:You're just a lonely old misfit trying to get some Attention by acting weird.
Speaker A:That's all.
Speaker B:So why in the world would you want to go to her party then?
Speaker A:Because it's Halloween.
Speaker B:Who do you know that'll give a better party?
Speaker A:That's like Christmas to her.
Speaker B:Do we have to?
Speaker A:Come on.
Speaker A:Max and Franny are going.
Speaker A:It'll be fun.
Speaker B:Oh, all right.
Speaker B:I guess so.
Speaker B:I can't wait to meet her family.
Speaker B:She probably lives in a belfry.
Speaker A:Well, it's.
Speaker A:It's not at her house.
Speaker B:It's at Hall House.
Speaker B:Hall House.
Speaker B:Jay, Angela's a weirdo.
Speaker B:A weirdo from my history class, but not.
Speaker B:Oh, the weirdos throw the best parties.
Speaker B:Baby, let's go.
Speaker A:He's 100.
Speaker A:Correct.
Speaker A:You know how I know that?
Speaker A:Because I was the weird girl in history class, thank you very much.
Speaker B:Yes, he knows.
Speaker B:He knows.
Speaker A:I just want to circle back to the old guy like what you said.
Speaker A:This guy hates everybody.
Speaker A:But we need to set up something with the old man.
Speaker A:What?
Speaker A:Like he first, like, stooge moons him from the car.
Speaker A:Hey, grandpa, look at the barrel bastards.
Speaker A:Sam y' all to hell.
Speaker A:Happy Halloween, kids.
Speaker A:He's like, ah, damn you kids.
Speaker A:And.
Speaker A:And then Sal hits a.
Speaker A:Dangles a rat in his face.
Speaker A:Dangling a rat is something different in my vernacular, but that's a whole different story.
Speaker A:Dangles a rat in his face.
Speaker A:He's like, ah, you stupid kids.
Speaker A:Ah, my groin.
Speaker A:There's no fool like an old fool.
Speaker A:You son of.
Speaker A:Hey, cool it, pops.
Speaker A:You want to blow your pacemaker or something?
Speaker A:And Judy.
Speaker A:Judy comes over.
Speaker A:He drops his groceries everywhere.
Speaker A:And.
Speaker A:And Judy comes over to help him.
Speaker A:He's like, get away from you.
Speaker B:Yeah, he does say, get away from me, you.
Speaker B:Gee, mister, I'm sorry.
Speaker B:I didn't mean to scare you.
Speaker A:Get your hands off of me.
Speaker B:Hey, calm down.
Speaker A:Get away from me.
Speaker B:I.
Speaker B:I was just trying to help.
Speaker A:I don't need to help you damn little horse.
Speaker B:Well, fine.
Speaker B:I wouldn't want to help an old creep like you anyway.
Speaker B:Look at you.
Speaker B:You.
Speaker B:And like, I don't know, it just.
Speaker B:It fed into, like.
Speaker B:It took me a minute.
Speaker B:Cuz he lifts up.
Speaker B:He like, very menacingly likes Snow White, like the.
Speaker C:The.
Speaker B:The evil.
Speaker C:The evil witch, which is the hag.
Speaker C:Yeah.
Speaker B:Picks up the apple and has like, the razor blades in the other hand.
Speaker B:And he's like.
Speaker C:It starts cackling.
Speaker A:They'll get theirs tonight, right?
Speaker B:They'll get what they deserve.
Speaker B:Yes.
Speaker C:They'll get what they deserve tonight.
Speaker B:I'm going to kill all these children.
Speaker A:Because nothing.
Speaker A:Because nothing in this movie is Subtle nothing.
Speaker A:We're handling this literally.
Speaker A:We're playing by comic book rules.
Speaker A:And I don't mean like superhero comic book rules.
Speaker A:I mean like Tales from the Crypt comic book type rules.
Speaker A:This is the kind of environment.
Speaker C:Oh, I thought you meant Archie.
Speaker A:Well, you know what?
Speaker A:Archie also would done this because you know, they could have been down at the chocolate shop and had a razor blade and they're, they and, and their strawberries phosphate that they're drinking with two straws.
Speaker B:Jughead was a menace.
Speaker A:Look at that hat.
Speaker B:Look at that.
Speaker B:I mean, come on, look at that hat.
Speaker B:You know, from there.
Speaker B:You know, from.
Speaker C:Can't trust Mr.
Speaker B:So.
Speaker B:So there.
Speaker B:So Judy's getting ready to go to Hull House now, which he doesn't really want to go to, but you know, you got to, you got to keep your boyfriend happy in the 80s and.
Speaker A:Okay, I need to talk about Judy for a bit.
Speaker A:I love Judy and I hate like Judy.
Speaker A:Kathy Podwell.
Speaker A:She wound up with a nice starring role on Dallas.
Speaker A:She was a regular in Dallas for a couple years and good for her.
Speaker A:When you hear her talk on the, on the, on the Blu Ray, she sounds nothing like Judy at all.
Speaker A:She doesn't.
Speaker A:But people hate.
Speaker A:They pay all of her delivery.
Speaker A:I think it's great because you can make a delivery game every time.
Speaker A:She's like, chai, chai, chai.
Speaker A:I think it's great.
Speaker A:I think she's great.
Speaker A:She's.
Speaker A:Because she's got it.
Speaker A:But apparently that she was directed to do like to be as innocent and dopey as possible.
Speaker A:And that's coming across and people don't like her acting is terrible.
Speaker A:I think she's, I think she's fabulous.
Speaker A:Tell me about her home life.
Speaker B:She's, she's, she's supposed to be the good girl.
Speaker C:She no father in the picture as.
Speaker B:Far as we know.
Speaker C:As far as we see.
Speaker C:Mom makes treats that look like, oh, what did Bill say?
Speaker C:I wrote it down.
Speaker C:It looks.
Speaker A:Are you about to say something disparaging about, about Judy's mom's Fudge Loves?
Speaker C:Yeah, they, they look like sun dried poodle turds.
Speaker A:You know what?
Speaker A:In today's market, people be like, that sounds great.
Speaker A:It's all natural organic seed oils.
Speaker A:Okay, can we talk?
Speaker B:But she also has this time, time, time.
Speaker A:I need to ask.
Speaker A:I just need to ask.
Speaker A:I need, I need to look into your life.
Speaker A:Did either one of you, did your parents ever go through that cereal box box recipe type phase or magazine recipe typeface?
Speaker C:Never, not really.
Speaker B:And you would think us being from The Midwest.
Speaker B:It would be keen on, like, back of the box.
Speaker C:No, I'm worried about getting, like, frozen chicken patties from the Schwann's truck.
Speaker B:Market day.
Speaker C:Yeah.
Speaker B:Hell, yeah, market day.
Speaker B:No.
Speaker B:Yeah.
Speaker B:No, we.
Speaker B:We never went.
Speaker B:We never.
Speaker B:My mom was not, like, a baker, really.
Speaker B:I mean, she would make, like, polish cookies around Christmas, but she was never really a.
Speaker B:Like, a baker making.
Speaker A:She's nurse survivor.
Speaker A:Carol's a nurse.
Speaker A:She's just out there saving lives.
Speaker A:She doesn't have time to be baking.
Speaker A:Stupid.
Speaker A:For you, Allison.
Speaker B:Thank you.
Speaker B:She's saving lives.
Speaker B:One of my mom made a lot of chicken tonight.
Speaker B:You guys remember chicken tonight?
Speaker B:Yeah, I feel like chicken tonight.
Speaker A:Just so you know, all three of us are bouncing in our chairs and flapping our wings.
Speaker B:Just chicken tonight.
Speaker B:There was a lot of chicken tonight in my house.
Speaker B:A lot of market day, which was my area's version of, like, my mom.
Speaker A:My mom didn't do that.
Speaker A:My mother was an awful cook and also was.
Speaker A:At this particular time, she was.
Speaker A:She was an alcoholic and menopausal.
Speaker A:So she had this weird kitchen rule.
Speaker A:Like, she'd be cooking me.
Speaker A:Like, anything goes.
Speaker A:Anything that was in the kitchen could wind up in the dish at any time.
Speaker A:And it was always meatloaf.
Speaker A:Always, always.
Speaker A:Meatloaf was always meat lobster.
Speaker A:I'm sorry, let me take that back.
Speaker A:Everything in the kitchen except spices or sauces or anything.
Speaker A:Or anything.
Speaker A:Or anything that would give anything flavor.
Speaker A:We can't have chicken with stuff on it.
Speaker A:What are we.
Speaker A:It's too spicy.
Speaker B:I will tell you, Survivor Carol, she does make a mean meatloaf.
Speaker B:I will, Brian.
Speaker B:I'm sure she.
Speaker A:I'm sure she does.
Speaker A:No, but I'm thinking of the time the meat.
Speaker A:The Eminem meatloaf happened.
Speaker A:That was bad.
Speaker A:That was a bad maraschino cherry meatloaf.
Speaker A:It was bad.
Speaker A:It was bad.
Speaker A:And Jones is fun.
Speaker A:It's great.
Speaker A:That's great.
Speaker A:Anyway, rest, rest.
Speaker A:Rest in peace.
Speaker A:Mom, we talk about you in a podcast.
Speaker A:Yeah, okay.
Speaker A:Yeah, but Billy.
Speaker B:Little brother Billy.
Speaker B:Can we talk about Billy?
Speaker A:But I just want to know how.
Speaker A:I just need to take a moment because one of my favorite moments in the movie is when she offers the fudge logs to my dead gay son, and Billy says that they.
Speaker A:What do you want, a mom?
Speaker A:They look like free sundry poodle jerseys.
Speaker A:She's genuinely hurt.
Speaker B:You must be j.
Speaker B:Yeah.
Speaker B:Would you like a fudge log dog?
Speaker B:Oh, gee.
Speaker A:Hey, I'd love to, but I'm trying.
Speaker B:To watch my weight.
Speaker B:Oh, your weight.
Speaker B:You must be Kidding.
Speaker B:You're skinny as a rail.
Speaker B:Oh, come on, Jay, don't be shy.
Speaker B:Have one.
Speaker B:I just took him out of the oven.
Speaker A:No thanks, Mrs.
Speaker A:Cassidy.
Speaker B:Really?
Speaker B:You sure?
Speaker B:Yeah, of course he's sure.
Speaker B:Ma, Ma, would he want one?
Speaker B:They look like sun dried poodle turds.
Speaker B:Oh, Billy.
Speaker A:That actress played genuinely her.
Speaker A:I'm like, you know what?
Speaker A:You're right.
Speaker A:And you know, even when beauty first comes home, you see her, you see mom blending up those fudge like so.
Speaker A:Like we had a trajectory with the fuck they didn't just come out of nowhere.
Speaker A:She's been working on these things all day.
Speaker A:Billy, Billy, Billy.
Speaker A:Okay, what I need to say about Billy is that someday he's gonna be that kid at college that you cover your drink.
Speaker A:Oh, when he comes by.
Speaker C:Oh, yeah.
Speaker C:I mean, he, he was contenting on his sister's boobs.
Speaker B:Wow.
Speaker A:British boobies.
Speaker B:Sis, you keep on going.
Speaker B:You'll have to hire someone just to tie your shoes.
Speaker B:Yes, that's our first.
Speaker A:The other thing is like welcome to the 80s where you can have a girl doing a semi topless scene with your 12 year old on camera with.
Speaker B:Her, you know, what was he doing in that closet before he jumped out?
Speaker B:That's what I want to know.
Speaker B:Jesus.
Speaker A:Bodacious boobies.
Speaker A:That's another thing Brian can say get away with.
Speaker A:They could walk up to anybody like, hey, bodacious boobies.
Speaker B:Dishes boobies.
Speaker B:That's the second thing you said to me when we met.
Speaker C:Yeah, yeah.
Speaker C:That's how you get a girl.
Speaker B:That's how you get a girl.
Speaker B:Even if it's your sister.
Speaker A:Well, you know what?
Speaker A:I'll stop I confident to compliment.
Speaker A:Okay.
Speaker B:Take it.
Speaker B:Take it where you can, ladies.
Speaker B:Take it where you can.
Speaker B:Take it where you can.
Speaker A:This kid is an absolute nightmare.
Speaker A:And I also love everything out of his mouth.
Speaker C:I, I was, I, I shouldn't have been because of when the movie was shot.
Speaker C:But when he drops the f slur on Sal, I, I, I was just like, holy.
Speaker B:I wouldn't have heard it.
Speaker B:I wouldn't have heard it because I have bad hearing.
Speaker B:I have bad hearing.
Speaker B:I wouldn't have heard it.
Speaker B:But Patrick, I don't know.
Speaker B:Yeah, the subtitle I was gonna say the version that you sent us.
Speaker B:I couldn't get rid of those subtitles and I saw it in the subtitles.
Speaker A:I'm gonna make you read.
Speaker A:I promote literacy on the show as well as media literacy.
Speaker A:Okay.
Speaker A:Book literacy and main good reading rules.
Speaker A:Thank you.
Speaker A:It is fundamental.
Speaker B:They were burned in.
Speaker A:No, no, no, no.
Speaker A:That is an absolute.
Speaker A:That is an absolute.
Speaker A:Time would have.
Speaker A:That's exactly what that kid would have said.
Speaker C:Exactly.
Speaker C:It's like when you go back and watch Monster Squad and you're just like, holy hell.
Speaker C:Why are these kids saying these things?
Speaker C:They're like, oh, because we're coming off.
Speaker A:The 70s and only people.
Speaker A:People are only beginning to care about their children in the 80s.
Speaker A:They're just beginning to.
Speaker A:But my favorite one was like where?
Speaker A:He asked.
Speaker A:Where?
Speaker A:He asked my dick.
Speaker A:He said.
Speaker A:So are you dating her for her because you like her personality or because she's got great ja shots?
Speaker A:Well, you must be Judy's little brother, huh?
Speaker B:You're pretty lucky.
Speaker C:She's.
Speaker A:She's a real nice girl.
Speaker B:Yeah.
Speaker B:Are you dating her for a personality?
Speaker B:Because she has big cha.
Speaker B:Chas.
Speaker C:Yeah, that probably like went all over the place because he was like creepy perf to his sister.
Speaker C:Creepy perf, but also like trying to be like tough guy to Jay and then just like biggest wimp in the world.
Speaker A:I beg your pardon?
Speaker A:He stands up to Sal.
Speaker A:No, Sal offers him a quarter.
Speaker A:Sal offers him a quarter to figure out his sister where she's going to be instead of going to the Deads.
Speaker A:He's like, you expect me to sell out my sister for a measly quarter?
Speaker A:He's.
Speaker A:He says no.
Speaker A:He says no.
Speaker B:He waited till it was a dollar.
Speaker A:Now go get your sister.
Speaker B:Judy's getting dressed.
Speaker B:She's going to a party.
Speaker A:Party?
Speaker A:What party?
Speaker B:Wouldn't you like to know?
Speaker A:Oh, you little asshole.
Speaker B:Oh mother.
Speaker A:Hey, hey, hey, hey, hey.
Speaker A:Come on.
Speaker A:Spill of beans, eh?
Speaker A:See, here's a nice chunk of change to loosen your lips a little.
Speaker B:Are you kidding?
Speaker B:Betray my beloved sister for a mezy quarter?
Speaker B:What do you think this is, some kind of depression or something?
Speaker A:Oh, that does it.
Speaker B:Billy, did you call me?
Speaker A:Hey, hey, hey.
Speaker A:This is my final offer, kid.
Speaker A:Now take it in sync.
Speaker A:Where's the friggin party?
Speaker B:Sure, it'll be too chicken to crash it anyway.
Speaker A:Yeah, try me.
Speaker B:Say hoe.
Speaker B:House.
Speaker A:Hull house.
Speaker A:What are you trying to pull, shorty?
Speaker A:You're just doing me caught dead in a dump like that.
Speaker A:What do you think I am, some kind of idiot or what?
Speaker B:What I think is besides the point.
Speaker B:Who has tonight?
Speaker B:You waited till it was a whole dollar.
Speaker A: You know what that was: Speaker A:And that the today's money, that's like a million dollars.
Speaker A:It's like $1 million that he got.
Speaker B:For an eight year.
Speaker B:And you got to remember this is eight year old money too.
Speaker B:So that's like $2 million to an eight year old.
Speaker A:Exactly.
Speaker A:That's like.
Speaker C:That's like.
Speaker A:That's like two comic books.
Speaker A:That's like 85,000 Pac man games, you know, or.
Speaker A:I'm sorry, Frogger.
Speaker A:Let's go with Frogger.
Speaker A:Yes.
Speaker A:Gallant, Helica, I need to take a time out here because there.
Speaker A:There's a movie called Bloody Birthday.
Speaker A:And this scene always cracks me up.
Speaker A:It's three kids who were born.
Speaker A:It's three killer kids.
Speaker A:And one of them has a hole.
Speaker A:The girl has this hole drilled in her closet wall so she can peep on her sister.
Speaker A:And her sister is Julie Brown, the comedian.
Speaker A:You know, I like him.
Speaker A:Big and stupid.
Speaker C:Yeah, yeah, yeah.
Speaker C:Downtown Julie Brown.
Speaker A:Oh, no, not.
Speaker A:No, not downtown Julie Brown.
Speaker A:The one who's not on empty tv.
Speaker C:Earth Girls are easy.
Speaker C:Julie Brown.
Speaker A:Thank you.
Speaker A:And she takes money from these kids of the block so they can peek on Julie Brown dancing around topless with her boobs out.
Speaker A:So you can see Julie Brown's boobs in this movie.
Speaker A:And so they have a whole scene with them watching.
Speaker A:And then the kids leave and she goes, the girl looks in her pocket and she looks at the camera, goes, I made 75 cents.
Speaker A:And I'm glad that Julie Brown died in the next day because do you know how sad I would have been had.
Speaker A:I feel like my titty.
Speaker A:My titty dance only raised 75 cents.
Speaker A:It's kind of like here.
Speaker A:I always think of it here, because he'd be like, you think I'm gonna sell out my sister for a measly quarter?
Speaker A:I'll sell that big titty bitch out for free.
Speaker A:She throwing a whole house.
Speaker C:We can't forget the legendary shoplifting at the Kwik E Mart scene.
Speaker A:I beg your pardon?
Speaker A:I'm gonna say we're gonna have to.
Speaker A:We can't forget the hypnotic hiney scene scene.
Speaker C:Yeah, yeah.
Speaker C:That's how it kicks off.
Speaker A:I mean, you have the hypnotic and.
Speaker C:It holds on that heiny for quite a bit.
Speaker A:It, it.
Speaker A:There's a lot of hiney in this.
Speaker A:A lot of.
Speaker A:A lot of Suzanne's heiney in this movie.
Speaker A:Bless.
Speaker A:Bless you, Linnae Quigley.
Speaker A:And as it does, it has everyone in the stud in the.
Speaker A:In the store and raptured, by the way.
Speaker A:They couldn't afford extras.
Speaker A:Everybody in that scene is on the crew.
Speaker A:They had no money for this.
Speaker A:They had no money.
Speaker B:What a day to be on the crew, though, eh?
Speaker B:What a day to be on the crew.
Speaker A:They blew all the money on the animated scene.
Speaker A:Sequence.
Speaker A:This is the effects.
Speaker A:So they didn't have any money for anything.
Speaker B:Yeah.
Speaker B:Though.
Speaker B:Heck yeah.
Speaker B:The who did?
Speaker B:Who did?
Speaker B:Okay, so there were the two shop clerks in there.
Speaker B:Yeah, right.
Speaker B:That were like hypnotized.
Speaker B:You guys are saying heinie I.
Speaker B:There was more than that.
Speaker B:There was more than that, baby.
Speaker B:There was more than that.
Speaker B:But who?
Speaker B:The guy that had the glasses that was chewing the gum.
Speaker B:He reminded me of somebody.
Speaker B:Kind of like a Tim Heidecker.
Speaker B:Kind of like he reminded me of somebody and I can't.
Speaker B:Is he from anything else?
Speaker B:Like he reminded me of any somebody to my knowledge.
Speaker A:I don't have his name in front of me, but I don't think so who he reminds me of.
Speaker A:It's probably just the glasses.
Speaker A:He reminds me of Brad from the Rocky Horror Picture Show.
Speaker B:That too.
Speaker B:That too.
Speaker B:Like just a familiar.
Speaker B:Like even just that.
Speaker B:It was like such a familiar archetype, you know, except.
Speaker A:Except their balls don't say taste the same.
Speaker B:No.
Speaker B:Do you guys have sour balls?
Speaker B:Why, sure we do.
Speaker C:Too bad.
Speaker B:I bet you don't get many blowjobs.
Speaker A:Brian Boswick definitely has sweet, sweet tasting balls.
Speaker A:But apparently this guy has sour balls.
Speaker B:You got sour balls?
Speaker B:Yeah.
Speaker B:My goodness.
Speaker B:It was so.
Speaker B:So they steal all this.
Speaker B:Sorry, hold on, hold on.
Speaker B:We fast forwarded a little bit.
Speaker B:We didn't talk about.
Speaker B:About.
Speaker B:We didn't finish talking about like Sal, right?
Speaker B:I want to go back to the scene because we find out that this is where we find out that Sal and Judy, which is important, kind of had a little bit of a thing, right?
Speaker B:Just a one.
Speaker A:They went out once.
Speaker B:They went out once.
Speaker B:They went out once.
Speaker B:But in the 80s, that's like married.
Speaker B:Like.
Speaker A:Yeah, like the average lifespan was only like 38 back then.
Speaker A:So yeah, one day, like being married.
Speaker B:That'S like being married.
Speaker B:But we find this.
Speaker B:We find this out and I think it's a little bit important because he.
Speaker B:There's a little bit of unrequited love.
Speaker B:There's a little bit of like, oh, now she's with Jay.
Speaker B:But we're good.
Speaker B:This.
Speaker B:Now we know his motivation kind of for wanting to go to this party, right?
Speaker B:He's not just New Jersey tough guy, you know, he's stalker guy that wants to go break up Judy and Jay.
Speaker A:He wasn't invited.
Speaker A:He clearly like is stated.
Speaker A:You were not invited.
Speaker B:You were not invited.
Speaker A:But I'm also great about this movie.
Speaker A:I think it's fun about this movie is this group of people would never hang out together in real life.
Speaker A:Never, Never.
Speaker A:Ever, ever, ever, ever.
Speaker A:The only way that they would all hang out together, and this is really something that I can't believe, is that the only way that people would go to Angela and Suzanne's party.
Speaker A:Because, Grant, Angela and Suzanne are clearly looking back, the coolest people in school.
Speaker B:Of course.
Speaker B:Of course.
Speaker A:What we could tell, you know, Angela's goth and, you know, Suzanne's hot and stupid and they, they've got their best.
Speaker A:Clearly best friends and they click together, great scenes together.
Speaker B:They vibe.
Speaker A:They vibe.
Speaker A:They vibe.
Speaker A:But their vibe is clearly not anybody else's vibe in the movie.
Speaker A:And when you're in high school, that sort of thing is important.
Speaker A:Nobody would be going to that party unless there's going to be drugs there and there's no drugs.
Speaker C:Yeah, they would be.
Speaker C:In the 80s.
Speaker C:They're not the coolest kids in school.
Speaker C:In the 90s, they are.
Speaker A:I can't believe Angela doesn't have drugs this morning.
Speaker B:I mean, they think like, what are you.
Speaker B:There was one part where they go, what are you guys on?
Speaker A:I drove all the way out to Hull House and there's no drugs at this party.
Speaker A:I need to talk about Linnea quickly.
Speaker A:And those of you who've been listening for a long time, you've heard this rant before.
Speaker A:I love Linnea Quigley.
Speaker A:I love her as a person.
Speaker A:Person.
Speaker A:I love her as a person.
Speaker A:But actress, she does what she does.
Speaker A:She does it well and she.
Speaker A:She plays into that.
Speaker A:She knows exactly what she is and she knows why she's there and she plays it up.
Speaker A:I've seen her, like every now and then they'll let her act when she let her not do this character.
Speaker A:She's actually quite good.
Speaker A:But people want this.
Speaker A:This is what people want.
Speaker A:She has her.
Speaker A:She has her own style of line delivery that' strange and very erotic.
Speaker A:And you hear other people like imitating in other movies.
Speaker A:Like whenever, whenever you see, like the suicide type girls in a movie trying to be sexy.
Speaker A:They all talk, like, Nick Quigley, like, weird emphasis on things.
Speaker A:And I think she's great here.
Speaker A:Like, I just want to look good for the boys.
Speaker A:It's just.
Speaker A:What a wonderful look.
Speaker B:It's so true.
Speaker B:Like, it.
Speaker A:Like, I didn't want to look good for the boy.
Speaker B:I want to look good for the boys.
Speaker B:I've never seen anybody spend more time in a mirror.
Speaker B:Relax.
Speaker B:I just want to look good for.
Speaker B:For the boys.
Speaker B:It was so perfect.
Speaker B:She was.
Speaker B:I think that fit this.
Speaker C:Yeah.
Speaker B:So perfect.
Speaker B:So perfect.
Speaker B:So perfect.
Speaker A:It's a cartoon of a teenage character.
Speaker A:I think it's great.
Speaker A:It's perfect.
Speaker A:And I also.
Speaker A:Later on, she.
Speaker A:It's very subtle, but later on, when the party's going on and, like, strange things are starting to happen, there's a weird knock.
Speaker A:You guys did invite some other people to this party.
Speaker B:Angela, Some cute boys, I hope.
Speaker A:Maybe some cute boys have arrived, which is total diss on all the boys that are already at the party.
Speaker B:Suppose all these ugly boys.
Speaker A:Ugmos.
Speaker B:Stinking stooge over here.
Speaker A:She might be in the mood for pork tonight.
Speaker B:Maybe I'm in the mood for pork tonight.
Speaker C:Yeah.
Speaker A:The dialogue.
Speaker A:The dialogue.
Speaker A:It's just.
Speaker B:Chef's kiss.
Speaker B:Chef's kiss.
Speaker B:So they.
Speaker B:So Angela steals all the procures by stealing all the stuff for the party, napkins included.
Speaker B:I was very happy she included napkins when she was stealing stuff.
Speaker C:And the extras saw her stealing.
Speaker C:They didn't care.
Speaker B:No.
Speaker B:Didn't care.
Speaker A:No, no.
Speaker C:The shop owners were distracted, but everybody else is just like, well, she's doing it.
Speaker B:Not my problem.
Speaker A:We're on the crew.
Speaker A:We don't have lines.
Speaker A:We don't have.
Speaker A:We don't do whatever the hell you want.
Speaker B:Not my problem.
Speaker B:Problem.
Speaker B:But we get.
Speaker B:So we.
Speaker B:We get to, like.
Speaker B:Everybody's going to this house now, right?
Speaker B:We're going to hall house.
Speaker B:We're getting ready for this party.
Speaker B:And, yeah, we have.
Speaker A:We have a couple more people to pick up before we go.
Speaker B:We do.
Speaker B:We do.
Speaker B:So we got Stooge, and we got Helen.
Speaker B:We got Roger.
Speaker B:Roger, which in the subtitles, they spelled it R O D G E R, which I thought was a choice.
Speaker A:That's how it's spelled in the credits.
Speaker A:That's how spells his name.
Speaker A:Okay.
Speaker B:Yeah, it was a choice.
Speaker B:I was like.
Speaker A:Which is another.
Speaker A:Which is another clue that he's gay because he's got D in him.
Speaker B:Oh, my gosh.
Speaker B:Nicely done.
Speaker A:I just made that up right now.
Speaker A:And welcome.
Speaker A:Oh, that's how you know.
Speaker A:That's how you know.
Speaker A:Look at that.
Speaker A:It's stuck right in there.
Speaker A:Right there in the middle.
Speaker A:Right there.
Speaker B:We told you.
Speaker B:We told you.
Speaker B:Right in the name.
Speaker B:Right in the name.
Speaker B:And they're driving, and Stooge is terrible.
Speaker B:Stooge is terrible.
Speaker B:To Helen, calling her a.
Speaker B:Poor Roger's in the back seat just like, I just want to go to this party.
Speaker B:I'm dressed like a pirate.
Speaker B:I'm ready to go.
Speaker B:Like, let's just go.
Speaker B:Have fun.
Speaker B:And they are driving.
Speaker B:So they're.
Speaker B:And they're on their way to Hull House.
Speaker B:Jay and Judy Are picking up.
Speaker A:Sorry, my dad.
Speaker A:His name is my.
Speaker A:My dead gay son.
Speaker B:My dead gay son.
Speaker A:Because.
Speaker A:Because either you're gonna have to.
Speaker A:Have to call him my dead.
Speaker A:So you have to go check every time.
Speaker B:So Judy and my gay dead son are.
Speaker B:Pick up Max and Franny.
Speaker C:Franny.
Speaker B:Max and Franny.
Speaker A:Important, Important question.
Speaker A:What are they dressed as?
Speaker B:A.
Speaker B:A doctor.
Speaker C:Doctor.
Speaker C:Wrong.
Speaker A:He's.
Speaker A:No, actually, he's a dentist.
Speaker B:A dentist.
Speaker C:Oh, Dr.
Speaker C:Giggles strikes again.
Speaker A:Well, he's a reverse Dr.
Speaker A:Giggles call back.
Speaker A:That's a.
Speaker A:That's another callback, people.
Speaker A:Thank you.
Speaker B:The ironic bit is I thought he was a dentist.
Speaker B:He wasn't.
Speaker B:He was a doctor the whole time.
Speaker B:That's why it's funny is that I thought he was a dentist.
Speaker B:Not a dentist at all.
Speaker A:No, no, no.
Speaker B:And I have no idea what Franny is dressed as.
Speaker C:Thought she was supposed to be, like, a pink.
Speaker A:Oh, yeah.
Speaker B:Oh, God.
Speaker B:I got it.
Speaker A:Got it.
Speaker B:And.
Speaker C:But just from the cut of the dress, I don't think she had, like, little wings on the back of her dress.
Speaker B:And Judy is Alice in Wonderland.
Speaker B:She's Alice from Alice Wonderland.
Speaker B:And Jay, my gay day son.
Speaker A:My.
Speaker B:My.
Speaker B:My son.
Speaker B:My.
Speaker B:He's dressed as just, I don't know, Miami Vice.
Speaker B:Nothing.
Speaker C:Nothing.
Speaker C:He's dressed as 80s.
Speaker A:They make a point.
Speaker A:He's too cool to wear a costume.
Speaker B:He's too cool to wear cosm.
Speaker B:Therefore, he's Miami Vice.
Speaker C:He dressed up like he was going to a high school dance to not want to go to a high school.
Speaker A:Dance, because he's not there to dress up.
Speaker A:He's there to undress, if you know what I mean.
Speaker A:By the way, just Max and Franny.
Speaker A:Max is Philip Tenzin Tanzini or Tanzani.
Speaker A:I can't read my handwriting.
Speaker A:I.
Speaker A:For folks at home, I've got four fingers in splints.
Speaker A:So my handwriting is particularly atrocious because I have trigger finger.
Speaker A:Because you know what?
Speaker A:You know, I have trigger finger running around my house going pew, pew, pew, pew, pew all the time.
Speaker A:But.
Speaker A:But he.
Speaker A:He was more of a child star.
Speaker A:He was.
Speaker A:He had a.
Speaker A:He was on a child star in General hospital for, like, 176 episodes or something crazy like that for really old people.
Speaker A:He was the voice of Jackie Paper in the old Puff the Magic Dragon animated special.
Speaker C:Yeah.
Speaker A:And.
Speaker A:And he's a huge voiceover actor now.
Speaker A:He works very prolifically for good for him.
Speaker A:And Franny is Jill Tereshita, who was in sleeper at Camp 3.
Speaker A:And I think she's lovely.
Speaker A:She's like one.
Speaker A:Everybody.
Speaker A:All the characters in this are kind of awful.
Speaker A:She's one of the only ones that's not.
Speaker B:Yeah, yeah.
Speaker B:But she does break the cardinal rule, though.
Speaker B:So she must die in this movie.
Speaker A:But.
Speaker B:So now we have all of our people, right?
Speaker B:And we're all going to hall time.
Speaker A:What's wrong with Hull House?
Speaker A:Why are we having a party at Hull House?
Speaker B:Well, Hull House used to be a mortuary.
Speaker B:And they say that it's haunted.
Speaker B:No, not haunted.
Speaker B:Possessed.
Speaker B:And we learned the difference between a haunting and a possession.
Speaker A:But what happened there?
Speaker A:But what happened there?
Speaker A:What happened there?
Speaker A:What happened to the hall family?
Speaker B:There was the former owner.
Speaker B:There was a murder.
Speaker B:Suicide.
Speaker B:But they don't really know who did it.
Speaker B:They don't know.
Speaker B:This place was once a funeral parlor, wasn't it?
Speaker A:Yeah.
Speaker A:Biggest one in four counties.
Speaker B:A funeral parlor.
Speaker B:Way out here.
Speaker B:Well, sure.
Speaker A:It's nice and cozy.
Speaker A:Right next to the old cemetery.
Speaker A:And rumor has it, old man Hull really loved his clientele.
Speaker A:I mean, in the carnal sense.
Speaker B:Yeah.
Speaker B:That doesn't surprise me.
Speaker A:How I once saw a portrait of Mrs.
Speaker A:Hall.
Speaker B:I've heard stories about this place ever since I was a kid.
Speaker B:The hall family met a pretty gruesome end, didn't they?
Speaker A:They sure did.
Speaker A:As a matter of fact, it was on Halloween night.
Speaker A:One of them went crazy and slaughtered the entire family.
Speaker A:Then committed suicide.
Speaker A:They could never figure out who did it.
Speaker A:Too much blood and guts.
Speaker B:I can't believe we're gonna.
Speaker B:Neither can I.
Speaker B:But, like, they don't know who was the murders and the suicides.
Speaker B:I guess everyone knows who got burnt up.
Speaker B:That's all the makeup burnt up.
Speaker A:The makeup part.
Speaker A:The maid was.
Speaker A:She was fired.
Speaker A:Thank you.
Speaker A:The maid was fired?
Speaker A:Yeah.
Speaker B:Somebody fired the maid?
Speaker A:Yeah, somebody did the whole family.
Speaker A:Maid was killed along with the rest of them.
Speaker A:Someone managed to roast her.
Speaker B:Great barbecue maid.
Speaker A:No wonder she didn't keep the place cold clean.
Speaker B:Can we go home now?
Speaker A:Everybody was so mutilated.
Speaker A:Nobody could tell who killed who.
Speaker B:Yeah.
Speaker B:Yeah, exactly.
Speaker B:Nobody could tell who killed who.
Speaker B:And there's this weird.
Speaker B:Around Hull House, there's a.
Speaker B:There's a wall.
Speaker B:And there's like this weird underground stream.
Speaker C:Yeah.
Speaker B:Which is, I guess, a thing.
Speaker B:Max is obsessed with this, which Max is obsessed with.
Speaker B:He takes his little dentist stethoscope and he puts it to the ground to hear the street.
Speaker A:You know, like all dentists have around their necks all the time.
Speaker B:Of course, that's how you know he's a dentist.
Speaker B:Dentist.
Speaker B:But there's this stream there's this stream.
Speaker A:He's a, he's a dentist that's dressed up as a doctor.
Speaker B:Yes, yes, because he can't just be a dentist.
Speaker B:So.
Speaker B:But there's this underground stream and the wall, this wall that goes around the place marks this underground stream.
Speaker B:Because evidently the possessed demon things that are in there can't cross that.
Speaker B:They can't, they can't cross.
Speaker C:Can't cross the streams.
Speaker B:Can't cross the streams.
Speaker B:Max, what are you doing?
Speaker A:I'm just checking out an old legend about this place.
Speaker A:Come here, Judy, come here, will ya?
Speaker A:Come here.
Speaker A:Listen.
Speaker B:Water.
Speaker A:Yeah, an underground stream.
Speaker A:According to legend, it completely surrounds the property.
Speaker A:This wall was built right on top of it.
Speaker A:A brick wall on top of an underground stream.
Speaker A:Now there's a stroke of engineering genius.
Speaker A:Well, the wall was built to mark the stream dream.
Speaker A:Supposedly the evil spirits that haunt the land can't cross over running water or something.
Speaker A:This is the thing that in the script, the original script, it was supposed to be a wooden fence, a really high wooden fence.
Speaker A:But then when they got to this property, which by the way is, was, was, is a real house and it was, it's now a Ralph's.
Speaker A:Oh, so you can go shopping there.
Speaker A:It's in South Hollywood.
Speaker B:Oh, really?
Speaker A:Yeah.
Speaker B:That's crazy.
Speaker B:I kind of want to go now.
Speaker A:But when they got there, the property had this huge wall.
Speaker A:There's nine foot wall that, you know, covered one thing and said, you know what, why don't we just make it a brick wall and forget the fact that it makes no architectural sense.
Speaker A:They bring it up like that really doesn't make any sense to put a brick wall on top of a stream.
Speaker A:But you know what, we're just going to go with it because it's demonic shit.
Speaker C:Yeah, yeah, yeah.
Speaker A:There's no rules.
Speaker B:Comic book theory.
Speaker B:It's the comic book theory.
Speaker B:It's there and we accept it as what it is.
Speaker A:Just shut up.
Speaker A:Just shut up and go to the house.
Speaker A:Shut up.
Speaker B:Shut up and go now to mark the safe zones.
Speaker C:Yes.
Speaker C:And ma.
Speaker A:Shut up.
Speaker A:Get your tits out and go in the house.
Speaker C:Max is Mr.
Speaker C:Exposition whenever they need any background in anything, Max is like, he's.
Speaker A:Excuse me, he's Dr.
Speaker A:Exposition.
Speaker A:DDS.
Speaker A:Thank you very much.
Speaker C:Sorry, sorry.
Speaker C:You're true.
Speaker C:That's right, right.
Speaker A:Pardon me.
Speaker B:So we now we know all, all the lore about Hull House, right?
Speaker A:Oh, I just before we, before we move on, one of my favorite moments when they're first pulling up to Hull House and we've heard so much about it.
Speaker A:And they're finally, oh, there it is.
Speaker A:There's Hull House.
Speaker A:And they cut to it, and it's clearly a model that makes me really happy.
Speaker A:People, people, people get really upset about it.
Speaker A:Like, it's so cheap.
Speaker A:I'm like, no, that's hilarious.
Speaker A:That's great.
Speaker A:It's great because apparently, like that.
Speaker A:Because what you see in the actual set house, like, oh, with all the turrets and stuff, that was the house that they were shooting in.
Speaker A:So they could have shot that.
Speaker A:But, like, they deliberately chose a model which.
Speaker A:Because that's what you would get in a comic book.
Speaker A:You would get this ridiculous shot.
Speaker A:And I love it.
Speaker A:Yeah, it's 100%.
Speaker B:100%.
Speaker A:I.
Speaker A:I can't believe we're going to party there.
Speaker B:Oh, God, I love to party at, like, weird old houses.
Speaker A:I know.
Speaker B:I know.
Speaker A:We've had.
Speaker A:We've had this conversation before, Alice, because I don't understand why.
Speaker A:Why straight people in these movies always want to go to weird, gross old buildings and fuck.
Speaker A:Because I'm like, you're going to get.
Speaker A:You're going to get spiders in your hoochie.
Speaker A:Something bad is going to happen.
Speaker B:It's dusty and horrible.
Speaker A:You're going to get spiders in your hoochie that you're going to have to take a bath and ass is going to come out of the tap.
Speaker A:I don' Bad.
Speaker A:Bad.
Speaker A:And none of your friends will care.
Speaker B:And nobody cares.
Speaker B:Nobody cares.
Speaker B:I'm allergic to dust, so I would not go.
Speaker B:That would be bad for me.
Speaker A:That would make a coochie sneeze.
Speaker A:Would it?
Speaker B:Would.
Speaker B:It would be like, that's it.
Speaker B:I broke Patrick.
Speaker B:I broke him.
Speaker B:I broke him.
Speaker B:I broke him, broke him.
Speaker B:And then everybody's like, who sneeze?
Speaker B:It's like.
Speaker A:Also with you.
Speaker B:So.
Speaker B:So anyways, we're starting to party.
Speaker B:Things are getting loose.
Speaker B:We're drinking beer.
Speaker C:We're all insulting each other, all hating on each other.
Speaker C:Hates Sal more than anybody.
Speaker C:He says he looks like Count Dingleberry of the Flaming Asshole.
Speaker A:Good evening.
Speaker A:Allow me to introduce myself.
Speaker A:Yeah, Count Dingleberry, the Flaming Asshole of Transylvania.
Speaker A:What's the matter, Maxie baby?
Speaker A:You pissed because I made you lose your brewski?
Speaker A:Hey, Angela didn't tell me that this asshole was invited.
Speaker B:He wasn't.
Speaker A:All right, dudes.
Speaker A:And you died.
Speaker A:Let's party.
Speaker A:Not to be confused with Count Dingleberry of the Non Flaming Asshole, which is a complete, completely different part of the world.
Speaker A:It's a completely different country.
Speaker A:Completely different.
Speaker B:Oh, my goodness.
Speaker A:Different monarchy.
Speaker A:The whole thing 100%.
Speaker B:Ironically, they're cool with him.
Speaker B:That's cool.
Speaker B:But, yeah, this group would never hang out together, so it's kind of awkward when they're all partying together.
Speaker C:Angela's motivation was to invite a bunch of people to a party to scare them and mess with them, if I recall.
Speaker C:And.
Speaker C:And.
Speaker C:And Susan.
Speaker C:Suzanne just wants cute boys.
Speaker B:Yeah.
Speaker C:So still, this doesn't make sense.
Speaker A:Well, I don't.
Speaker A:I don't think we'd gotten.
Speaker A:I mean, Angela tries.
Speaker A:I don't think she ever.
Speaker A:Angela gets to the point where she gets to whatever her big plan was.
Speaker A:I think it was going to be whatever.
Speaker A:The seance.
Speaker A:It was her idea to do a seance.
Speaker B:True.
Speaker B:Yeah, true.
Speaker B:And that kind of.
Speaker B:That went sideways because they do certain party.
Speaker A:The cinematography.
Speaker A:A lot of this is great.
Speaker A:A lot.
Speaker A:Just for some reason, the part where they start partying and the strobe light comes out.
Speaker A:Like, the shots in that are just gorgeous.
Speaker A:Everybody looks gorgeous dancing together.
Speaker A:Like, these kids look cool together for, like, one minute.
Speaker A:Because the squabbling stops.
Speaker A:I'm like, okay, it's gonna be a great party.
Speaker A:Even though there's no drugs and I wouldn't eat anything in here, because although everything.
Speaker A:Although Angela knows the rule that everything tastes better when it's stolen, which is my role for hosting a party.
Speaker A:Never, never, never pay for anything.
Speaker A:Just steal it.
Speaker A:And everyone be like, God, you're such a good.
Speaker A:Just a really good thief.
Speaker A:Anyway, please continue the.
Speaker A:Before things go to hell, I need to take a moment because Linnae Quigley, bless her, spends a lot of time with her ass in the fireplace.
Speaker A:The hypnotic ass comes out again.
Speaker B:Oh, this feels great.
Speaker B:Just what the doctor ordered.
Speaker A:Oh, it's just the doctor ordered.
Speaker A:I'm like, you know, if she had farted, she could have blown up the whole house.
Speaker B:And Max likes it.
Speaker B:And Franny, she's very.
Speaker B:She is very secure in that relationship.
Speaker B:She's just, like, cool.
Speaker A:They all, like.
Speaker A:They let the boys drop the beer.
Speaker B:Yeah.
Speaker B:It's like, cool, cool.
Speaker A:It's a hypnotic ass.
Speaker B:And this is in the party scene.
Speaker B:We get the strobe light because they stole it from their mom, who used to be a big acid head.
Speaker B:I was like, all right.
Speaker B:And this is where we get computer dating.
Speaker A:Yeah, I'm a computer.
Speaker A:Yeah.
Speaker B:I was.
Speaker B:Went online to go look for a date.
Speaker B:I'm on a.
Speaker B:I was like, oh, my God, I freaking love this song.
Speaker B:If you don't.
Speaker B:If you've watched this movie and you haven't listened to the lyrics of That I swear to God, you're missing out.
Speaker B:It is not just a song.
Speaker B:It is the nerdiest 80s song.
Speaker C:Yeah.
Speaker B:Ever.
Speaker C:It is somehow, like, lyrically, like Devo, but then also, like.
Speaker C:Like metal wannabe riffs at the same time.
Speaker B:It was so good.
Speaker C:Insanely 80s in the weirdest way in the.
Speaker A:In the best way possible.
Speaker A:That weird clash of things that we.
Speaker A:That happened only in the 80s.
Speaker A:But.
Speaker A:Okay, so everybody's dancing, having a great time, but what happens.
Speaker C:No, it's time.
Speaker C:It's that we need to do more.
Speaker C:We need to have sales.
Speaker A:Everybody's having a great time, but the boombox dies.
Speaker B:Oh, right.
Speaker C:Oh, that's right.
Speaker B:That's right.
Speaker C:And.
Speaker C:And Stooge just put batteries in that damn thing.
Speaker A:Holy.
Speaker A:Haven't you idiots ever heard of Dora Cell?
Speaker A:Hey, look, don't blame me, man.
Speaker A:I just put batteries in a damn thing.
Speaker C:Thing this morning.
Speaker B:I can't live without my music.
Speaker A: Yeah, but, hello, it's: Speaker A: A boombox in: Speaker B:Just put batteries in it.
Speaker A:This morning it weighed 85 pounds.
Speaker B:It's true.
Speaker B:It's very true.
Speaker B:It's very true.
Speaker B:So now we got to decide something new to do.
Speaker B:And the answer, of course, is same.
Speaker C:That's too scary, Allison.
Speaker B:Oh, we shouldn't be messing with that stuff.
Speaker B:Forget it.
Speaker B:There's plenty of time for dancing later.
Speaker B:Now it's time for party games.
Speaker C:Yeah, we can play post orifice, and.
Speaker B:You can be the stamp.
Speaker B:Please don't make me ill.
Speaker B:I was thinking of something a bit more in tune with the holiday.
Speaker B:Like what?
Speaker A:Bobbing for apples with razor blades in them?
Speaker B:No, I was thinking more along the lines of a seance.
Speaker B:A seance?
Speaker B:Isn't that a little chancey?
Speaker B:I mean, this is Halloween.
Speaker B:The night when all the creepy things are supposed to stalk the earth.
Speaker B:I mean, there's no telling what we'll dredge up, especially in this old place.
Speaker A:Yeah, I do like that Helen does drop that whole thing, like, yeah, we probably shouldn't be doing that, being that it's Halloween and all.
Speaker A:The night where all these spooky things could walk the earth.
Speaker A:Cause when that comes back later, I'm sorry, I'm jumping around.
Speaker A:Cause that's what we do here.
Speaker A:Judy has that wonderful moment, and she's like, wait a minute, Raj.
Speaker A:The whole thing is like, they don't have to go to hell tonight.
Speaker A:Remember what Helen said?
Speaker A:What Helen said?
Speaker A:She said that all these evil.
Speaker A:We'll come back that later.
Speaker A:But Just say.
Speaker A:Just put a pin in that.
Speaker A:Put a pin in Judy's speech when we get to there later.
Speaker A:Because Helen didn't say anything.
Speaker B:And Roger's just like, where was I?
Speaker B:I didn't hear any of that shit.
Speaker A:Helen's like, did they cut a monologue for me?
Speaker A:Because I don't remember saying any of this shit.
Speaker A:But I don't care.
Speaker A:I don't care.
Speaker A:Judy has the revelation to save the day.
Speaker A:And that's all.
Speaker B:Absolutely.
Speaker B:Absolutely.
Speaker C:And then friggin Franny.
Speaker C:Franny's like, let's do a past life seance.
Speaker B:Hey, you guys, how about a past life seance?
Speaker B:A what?
Speaker B:A past life seance.
Speaker B:You know, we all sit around, look in a mirror and see our past lives.
Speaker B:What kind of drugs are we gonna need for this?
Speaker C:Franny, you just can't come to a party and make shit up.
Speaker B:What is that?
Speaker B:Is that a thing?
Speaker B:Never heard of it in my life.
Speaker A:What is is now.
Speaker B:It is now.
Speaker A:It is now.
Speaker B:It's right up there with the under.
Speaker B:Understream.
Speaker A:Brick wall.
Speaker C:Brick walls with.
Speaker A:Just shut up and do it.
Speaker A:Why are you ruining the party?
Speaker A:Shut up and do it.
Speaker C:But the first thing we need a mirror.
Speaker C:And we don't have a mirror.
Speaker C:A will.
Speaker A:Will this one do?
Speaker B:Cool.
Speaker B:Will this do?
Speaker B:I'm afraid not, Suzanne.
Speaker B:We need one we can all look into at once.
Speaker C:Yeah, we all.
Speaker C:Raj and Stooge find a mirror.
Speaker B:Of course they do.
Speaker B:Of course they do.
Speaker B:And they do.
Speaker A:We can all look into you.
Speaker A:Vain.
Speaker B:Anyway, so they do this whole thing and it releases, right?
Speaker B:This demon.
Speaker B:It's really very simple.
Speaker B:You just keep staring at my reflection in the mirror until the glass clouds up all black.
Speaker B:When it clears, we'll see what I look like in a past life.
Speaker A:Sounds easy enough to me.
Speaker A:Yeah, right.
Speaker B:And if you buy that, I got this real nifty bridge to slow you.
Speaker B:Everybody shut up.
Speaker B:Now concentrate on my reflection in the mirror.
Speaker B:Concentrate.
Speaker A:I'm trying to hinge, but I can't get past that zita on your chin.
Speaker B:Shut the fuck up, asshole.
Speaker B:If you're not gonna help us along, then get lost.
Speaker B:Okay, now concentrate.
Speaker B:Concentrate.
Speaker A:Holy.
Speaker B:You idiot.
Speaker B:It was just starting to work.
Speaker A:Was?
Speaker B:I swear I saw the mirror turning black.
Speaker A:Yeah, I.
Speaker A:I saw too.
Speaker B:Yeah, I saw it.
Speaker B:Yeah, I saw.
Speaker B:Releases, right?
Speaker B:This.
Speaker B:This demon, right?
Speaker C:And the only one who sees it.
Speaker C:Oh, yeah.
Speaker C:Sock puppet.
Speaker A:I'm going to nibble you with my demon teeth.
Speaker A:One of the more.
Speaker A:One of the more unfortunate special effects.
Speaker A:But I've grown a lot.
Speaker B:And we get to See a lot of it at the end of the movie.
Speaker B:But I love that it like got released.
Speaker B:But it was like, I don't know, hanging out in like the crematorium oven.
Speaker B:I was like, yeah, that's where I am.
Speaker C:Yeah.
Speaker C:And then he evil dead himself out of there.
Speaker B:Yeah, he.
Speaker A:Like.
Speaker B:There was a big evil Deadshot, the.
Speaker A:Shaky cam running through the house.
Speaker A:Yeah.
Speaker C:Yeah.
Speaker B:Thank God you let me out of this oven.
Speaker B:Cool.
Speaker B:Thanks.
Speaker B:Teenagers.
Speaker A:I'm a cute boy.
Speaker A:Suzanne.
Speaker A:Hello.
Speaker B:Might you like me room for one more right.
Speaker B:And instant.
Speaker A:I just want to take.
Speaker A:I just want to take a pause.
Speaker A:Is that one of the things that happens in this?
Speaker A:They do wake something up.
Speaker A:And Helen sees something in the mirror and she screams.
Speaker A:She sees.
Speaker A:She sees her own death in the mirror.
Speaker B:Get away.
Speaker A:Jeez.
Speaker B:Why the hell did you do that?
Speaker B:What is wrong with her?
Speaker A:Festering.
Speaker A:Fuck.
Speaker A:Watts.
Speaker A:You cannot take this bitch anywhere, man.
Speaker B:What happened?
Speaker A:Helen, what's the matter?
Speaker B:So what's in here?
Speaker A:Oh, Jesus.
Speaker A:Bitches.
Speaker C:Flip.
Speaker A:Shut up, Stooge.
Speaker B:You're not helping matters.
Speaker B:What?
Speaker A:My face is so messy.
Speaker A:Probably saw sound that stupid mask.
Speaker A:I wasn't wearing my mask.
Speaker A:Oh, God, that's even worse.
Speaker B:It doesn't matter what she saw, does it?
Speaker A:If she saw anything.
Speaker B:It looks like our little game is over.
Speaker A:Pretty great.
Speaker A:What did you find out?
Speaker A:Later.
Speaker A:But the mirror falls in.
Speaker A:The mirror breaks.
Speaker A:That shot of the whole cast refracted in the.
Speaker B:I forgot about that.
Speaker B:Yeah.
Speaker A:Gorgeous.
Speaker C:Gorgeous.
Speaker A:Really good cinematography.
Speaker B:Really?
Speaker A:Apparently it was really hard to get without catching the camera.
Speaker B:Oh, yeah.
Speaker C:Oh, I bet.
Speaker A:But they.
Speaker A:They did it.
Speaker A:It's a wonderful little moment.
Speaker A:The movie's full.
Speaker A:These little gems where they came up with shit because they had to.
Speaker A:How do we do this?
Speaker A:We don't have any money.
Speaker A:Let's do it like this.
Speaker B:Let's do it like this.
Speaker B:Let's do it.
Speaker B:Let's do.
Speaker B:Do it real.
Speaker B:Just do it real.
Speaker B:Break this mirror and let's make it happen.
Speaker B:It was.
Speaker B:That was a really good shot because that.
Speaker B:That's really hard to do.
Speaker B:And it was.
Speaker B:It fit.
Speaker B:It fit.
Speaker B:It fit with the.
Speaker B:The.
Speaker B:The themes and everything.
Speaker B:Yeah, I really like that.
Speaker B:I really like that.
Speaker B:So this demon is now out, right?
Speaker B:And it.
Speaker B:It's like, I gotta.
Speaker B:I gotta find a body.
Speaker A:It's floating around in fart smell form.
Speaker B:Yeah, it's floating around.
Speaker B:My God.
Speaker B:It's crazy.
Speaker A:Never mind the draft, man.
Speaker A:Who cut the cheese?
Speaker B:Oh, Pu.
Speaker B:That is great.
Speaker A:Stooge must be wearing his mom's dirty panties again.
Speaker A:Hey, man, this my lady wear his panties.
Speaker A:This is where the coin changers and sailors.
Speaker A:Your mom couldn't give it away.
Speaker A:God, man.
Speaker A:Feels like somebody died.
Speaker B:Yeah, it's fun floating around.
Speaker C:They're smelling multiple ghosts here.
Speaker B:Yeah, because they're smelling multiple things here.
Speaker A:And mostly farts.
Speaker B:And mostly farts.
Speaker C:Thanks, Stooge.
Speaker B:Did you do it?
Speaker B:I didn't do it.
Speaker B:But they're like, this stinks.
Speaker B:And it's cold, but I don't know.
Speaker C:And we heard a noise.
Speaker B:And we heard a noise.
Speaker A:Well, that's what tips Angela off if there's something really wrong.
Speaker A:She's like, no, that's not right.
Speaker A:Not here.
Speaker A:You don't want this to be happening here because it's a house possessed.
Speaker A:That's not demons.
Speaker A:We're smelling demons.
Speaker A:It's demon farts.
Speaker B:I don't like what's happening here.
Speaker A:What do you mean?
Speaker A:I know what she means.
Speaker A:Like, come on.
Speaker A:This ain't exactly the most happening party.
Speaker C:I ever been to, okay?
Speaker B:What do you mean?
Speaker B:Angela, Those noises that we heard.
Speaker B:There were three of them.
Speaker B:And that awful stink.
Speaker B:And then the chill.
Speaker B:It's not cold now.
Speaker B:Must have been a drop.
Speaker A:Well, maybe somebody did come in.
Speaker B:The odor's gone, too.
Speaker B:But we all experienced experience them.
Speaker B:The noise, the stink and the chill, they're all signs of demonic infestations.
Speaker B:Demonic what?
Speaker A:Demonic whatchamacallit.
Speaker A:I mean, come on.
Speaker C:A little Ange here is just trying.
Speaker A:To put the ol hula hoo hoo.
Speaker C:Booga on us, okay?
Speaker A:Yeah, Ange, I'm sure you're right, okay?
Speaker A:Or could it be that Rog here just had too much cold beer and.
Speaker C:Blew us a cool, stiff breeze right.
Speaker A:Out of his butthole?
Speaker A:I don't care what you all think.
Speaker A:My daddy was a preacher, and I know better than to be in here fooling with this stuff.
Speaker A:This is a house of the dead, and I'm getting out now before it's too late.
Speaker B:Oh, my goodness.
Speaker B:It is demon.
Speaker B:You don't fart in the whole house.
Speaker C:But yeah, Helen and Raj get super spooked, so they tried to leave.
Speaker B:Also leave, too.
Speaker B:I was.
Speaker C:I don't.
Speaker C:I don't with the stuff.
Speaker A:Hold on, hold on.
Speaker A:Before we move on.
Speaker A:Before we move on.
Speaker A:Allison, you brought it up earlier, so I'm going to ask Brian.
Speaker A:Brian, what's the difference between a haunted house and a house possessed?
Speaker C:No, I don't remember a haunted house.
Speaker A:The spelling.
Speaker A:The spelling.
Speaker A:They're spelled differently and pronounced not the same way either.
Speaker C:I believe the Possessions Don't Possess test.
Speaker C:Does not have its own body at any point.
Speaker B:It had never been in a haunted.
Speaker C:Had never been alive.
Speaker A:Yes.
Speaker B:Yeah.
Speaker B:It had never been alive.
Speaker B:Where a haunted house is like souls of people who have died.
Speaker B:Yeah, it smells like roses.
Speaker A:Hey, you know, I think we're smelling multiple ghosts here.
Speaker B:Would you listen to me?
Speaker B:They're not ghosts.
Speaker B:This house is not haunted.
Speaker A:It's possessed, possessed, haunted.
Speaker A:Come on.
Speaker A:Who gives a shit?
Speaker B:What's the difference between possessed and haunted?
Speaker B:A haunted house is a house with ghosts in it.
Speaker B:The spirits of people who've died, but the spirits living in a house possessed have never existed in human form.
Speaker B:They've only existed in spirit form.
Speaker B:They're pure evil.
Speaker B:They're demon.
Speaker A:You will not have dinosaur ghosts in a house possessed.
Speaker A:They would be in the haunt.
Speaker B:True.
Speaker A:You would have dinosaurs.
Speaker A:You would have dinosaur demons.
Speaker C:They all died.
Speaker C:Very dramatic.
Speaker C:Why are they not dinosaur ghosts?
Speaker A:Because they're dinosaur demons.
Speaker C:They have so much unfinished business.
Speaker A:Yeah, and you mentioned that.
Speaker A:Roger.
Speaker A:Roger.
Speaker A:And Helen is taken up.
Speaker A:Roger, we learned his father was a preacher, and he's like, we don't fuck with this stuff.
Speaker A:He didn't have anything to do with the Saiyans.
Speaker A:He's like, no, no, fuck that.
Speaker A:He's like, I'm a gay guy, and also I'm the black man in a horror movie in the 80s.
Speaker B:Yeah, yeah.
Speaker A:I'm not fucking with any of this crazy white people stuff.
Speaker A:And good for you, Roger.
Speaker A:Good for you, Roger.
Speaker A:But one of the things I do enjoy about this movie, like, when things start to go wrong.
Speaker A:I love that we learned the stuff about the wall.
Speaker A:What's going on with the wall?
Speaker A:Why can't anybody leave?
Speaker C:I don't know.
Speaker C:It seems the gate has disappeared.
Speaker A:There's no way out.
Speaker A:Where the fuck is the goddamn gate?
Speaker A:We came into a gate, didn't we?
Speaker A:This just doesn't make sense.
Speaker B:Give up already.
Speaker A:Give up now?
Speaker A:What kind of talk is that?
Speaker A:There was a gate here, and if we just keep following this damn wall, we're bound to find it.
Speaker B:Look, we've already been around it twice.
Speaker B:Don't you understand, Raj?
Speaker B:We're dead.
Speaker B:We've all died and gone to hell.
Speaker A:The temporal rules of this house don't apply anymore.
Speaker A:It's like no one's going anywhere.
Speaker C:You're staying in this house.
Speaker A:And what?
Speaker A:I was just left, too.
Speaker A:In the second half of the movie.
Speaker A:The way the set design works and all that stuff with the lighting, it feels like the house is a maze.
Speaker A:You never feel like you're in the same room twice.
Speaker A:Like, it feels like there's no way out.
Speaker C:Even when you end up in a room we've seen before, you don't know it until, like, the lights come on.
Speaker C:And then all of a sudden like, holy shit, that's the room those two are in.
Speaker C:And now other people are in that room with them.
Speaker A:Yeah, yeah.
Speaker A:But there's now this shit wrong with that room.
Speaker A:Like, the rules don't apply to the house anymore.
Speaker A:And I think that's fun.
Speaker B:Also very video game.
Speaker A:Yeah, also very video game.
Speaker A:And one of the things I've heard people complain about, like, this doesn't make any sense.
Speaker A:Like, because once people are in their demon form, you think that the younger folk just want the massacre to begin.
Speaker A:Why aren't they just killing people?
Speaker A:What's taking so long?
Speaker A:To which I say to the younger people, the hunt is the fun part.
Speaker C:Yeah.
Speaker A:These things have never had bodies before.
Speaker A:This is their first time out to play.
Speaker A:They're in no rush.
Speaker A:These people can't go anywhere.
Speaker A:We're going to have fun with it.
Speaker A:We're going to scare the shit out of them because they'll taste better when we find finally get them.
Speaker C:Yeah.
Speaker C:Don't forget, the house is possessed too.
Speaker C:The house is rearranging itself.
Speaker B:The hunt.
Speaker B:The hunt is the best part.
Speaker A:Yeah.
Speaker A:Oh, yeah.
Speaker A:The house is the best character in the movie.
Speaker B:Yeah, the house.
Speaker B:And the house is the best character in the movie.
Speaker B:To say that, like, oh, just start killing people.
Speaker B:Like, no, this is what made this.
Speaker B:But I do.
Speaker B:There were a couple of places that it didn't make sense to me because just.
Speaker B:Just within its own lore, like when the people who got killed by the possessed people, but not made out with.
Speaker B:With the possessed people, they were like zombie people, I guess.
Speaker C:There are demons, minions of the demons, and then people who got killed.
Speaker B:Yeah, and we'll get to that.
Speaker C:I think it's probably the only one that just flat out gets killed and nothing else.
Speaker A:Helen shows up at the end.
Speaker C:Does she?
Speaker B:Oh, does she?
Speaker B:Okay.
Speaker B:I didn't know if I saw her.
Speaker A:They're all the corpses there at the end.
Speaker A:Yeah.
Speaker A:Initially I said I thought it was cool that it's the women who are the power demons.
Speaker A:Yes, it's Angela and Suzanne.
Speaker A:They're the ones who have the ability to go back and forth in their looks.
Speaker A:They can be beautiful or they can be hideous.
Speaker A:They can talk.
Speaker A:The other ones, not so much.
Speaker B:Yeah, Stooge is just a stooge.
Speaker B:Even in demon form, stooge is a stage.
Speaker A:And I thought.
Speaker A:I thought it was A women power thing.
Speaker A:I said, you know what?
Speaker A:They're the only ones who were possessed.
Speaker A:The other two were killed by possessed people.
Speaker A:So they're lesser.
Speaker A:They're just lesser.
Speaker B:They're lesser.
Speaker B:They're lesser.
Speaker A:They're not.
Speaker A:They're not as powerful because the stooge is just a behemoth.
Speaker A:Raging behemoth.
Speaker B:He's not even a minion.
Speaker B:He is a full on demon, but he's just not as good of a demon because he got kissed and she wanted pork.
Speaker B:She wanted pork that moment.
Speaker B:So, yeah.
Speaker B:So the demon is like, all right.
Speaker A:She spat his tongue out like a lady.
Speaker A:We'll come back.
Speaker C:Yes.
Speaker B:So we get our first possession and we find out that this possession, like you act really weird and you spread this possession.
Speaker B:Well, one of the ways you can spread the possession is through kissing.
Speaker B:Through kissing.
Speaker B:Kissing, kissing.
Speaker A:We see ladies by lesbianism.
Speaker A:With lesbianism.
Speaker B:With lesbianism, ladies be kissing and.
Speaker B:Yeah.
Speaker A:Cause you know, that's that old season.
Speaker A:No, no, no, I didn't.
Speaker A:No, I wasn't hooking up with my girlfriend.
Speaker A:I was just possessed.
Speaker B:Possessed by the fart demon.
Speaker A:I know.
Speaker A:No, I was.
Speaker A:They didn't want to experiment.
Speaker A:I was like, no, but I was possessed.
Speaker A:She was possessed.
Speaker A:We were just possessed.
Speaker A:For the night anyway.
Speaker A:For tonight anyway.
Speaker B:By the fart demon.
Speaker C:By a demon named Boone's Farm.
Speaker B:Boone's Farm.
Speaker A:It's an apple wine product.
Speaker B:Oh, my goodness.
Speaker B:So our first two possessions are Andrew, Angela, and.
Speaker B:And Suzanne.
Speaker B:Yeah, Suzanne.
Speaker B:And everybody's like, wow, they're acting really weird.
Speaker B:I don't.
Speaker B:I don't like this.
Speaker B:Maybe I do like it.
Speaker C:And all the.
Speaker C:All the normal Ish kids, they have all snuck off to go hook up.
Speaker C:My dead gay son and Judy went off.
Speaker C:After a little more doctor Exposition, Max and Franny split off to go hook up.
Speaker A:Yeah.
Speaker A:Yeah.
Speaker A:Thank you.
Speaker A:Yeah.
Speaker A:A little bit.
Speaker A:A little more backstory on the property that you know about the Indian and the.
Speaker B:Yeah.
Speaker A:But even before the first white settlers colonized this area, this strip of land already had a bad rep.
Speaker A:Sure, Max.
Speaker A:For centuries, the ancient Indian tribes that used to live around this area would never set foot on this side of the underground creek.
Speaker A:Even back then they said the land was unclean.
Speaker A:Right, Max?
Speaker A:And I suppose the ghost of an.
Speaker C:Ancient Indian told you that.
Speaker A:No.
Speaker A:Mrs.
Speaker A:Porter down at the library gave me a book that one of the earlier settlers wrote.
Speaker A:I'm using you cannot believe all the cool shit that used to go down here.
Speaker A:Yeah, especially since they didn't have any indoor plumbing.
Speaker A:Right?
Speaker A:No, Really?
Speaker A:A young brave got lost and settled here with his family by mistake.
Speaker A:Anyway, they found him three weeks later, sitting under a teepee he made out of his squaw's intestines and chewing on the leg of his papoose.
Speaker A:Oh, gross.
Speaker B:I've never heard so many disgusting stories in all my life.
Speaker A:He was chewing the leg at his papoose.
Speaker B:Of his papoose.
Speaker B:He was using the wrong words, which is what I thought.
Speaker B:It was funny because he was chewing the leg of his papoose, making it seem like he was making.
Speaker B:Within context.
Speaker B:Making it like chewing the leg of his father or something.
Speaker B:It was like, papoose is not.
Speaker C:No, that's the sack you put the baby in.
Speaker B:Yeah, I know.
Speaker C:It's supposed to be like, you're chewing the leg of the baby, but.
Speaker B:No, he's using the wrong word.
Speaker C:You're chewing the leg of a sleeping bag.
Speaker A:Are we really.
Speaker A:Are we really criticizing the librarian who gave him that book?
Speaker A:Are we really going to do that?
Speaker A:We're going to put this poor womanhood not going to do anything.
Speaker C:What's the backstory of that librarian trying to hook up with young Max by giving him lore books?
Speaker A:He's a doctor.
Speaker A:He's in a.
Speaker A:He's a catch.
Speaker B:Oh, my goodness.
Speaker C:He's Jackie Paper.
Speaker A:He's Jackie Paper with, like, the most 80s hair.
Speaker A:Oh, by the way, I just have to say.
Speaker A:I just have to say Suzanne in the scene where they're all trying to figure out.
Speaker A:After Suzanne gets possessed and people are starting, Roger goes off.
Speaker A:Roger and Helen bail.
Speaker A:They want to bail.
Speaker A:They want to go home.
Speaker A:They want to go home.
Speaker A:And Suzanne says, just because one lame wuss wants to bail doesn't mean we ace this party.
Speaker B:Just because one lame wuss wants to bail doesn't mean we ace this party.
Speaker A:Which is the most 80s thing anyone ever said in the 80s.
Speaker C:Yeah.
Speaker C:Oh, yeah, definitely.
Speaker A:That was a lot of 80s in one sentence.
Speaker B:We're still going to party.
Speaker C:Going to party.
Speaker A:We're still going to party.
Speaker A:Yeah.
Speaker A:Yeah.
Speaker A:Start.
Speaker A:Gives.
Speaker A:Gives away one Chris car.
Speaker A:But nobody doesn't matter because nobody's going anywhere because they can't.
Speaker B:They can't.
Speaker B:Like, nobody can go anywhere.
Speaker B:Which we.
Speaker B:Which we soon find out from Helen and Helen.
Speaker B:Helen and Roger.
Speaker B:Yeah.
Speaker A:And here's the thing, too.
Speaker A:There's something.
Speaker A:There's something like when the scene with Helen and Roger discovering that the gate's gone, there's something about when people disappear in a movie, the way they do it in this movie, that scares me more than if she'd gotten killed.
Speaker B:Don't you understand, Raj?
Speaker B:We're dead.
Speaker B:We've all died and gone to hell.
Speaker A:What are you talking about?
Speaker A:Are you going crazy on me, girl?
Speaker A:Look, if that's all that's on your mind, you just better shut that mouth of yours.
Speaker A:Us?
Speaker A:Hell, my ass.
Speaker A:There is a gate here.
Speaker A:There is.
Speaker B:Oh, sweet mother.
Speaker A:Helen.
Speaker A:Helen.
Speaker A:This isn't funny, girl.
Speaker B:Helen.
Speaker A:Where the hell does she go?
Speaker A:Yeah, the fact that she's just.
Speaker A:She was there one minute, then she's gone.
Speaker A:That scares me.
Speaker B:It's the one.
Speaker B:It's kind of the one jump scare we get at the end.
Speaker B:Like with.
Speaker B:With Helen.
Speaker B:I don't remember any other kind of like jumpy scare.
Speaker C:Oh, jump scare later.
Speaker A:Well, I mean, when her fate.
Speaker A:When her face.
Speaker A:When she lands on top of the car.
Speaker A:But yeah, but no, I didn't mean that.
Speaker A:I just mean when she's just.
Speaker A:When he just turns around, she's gone.
Speaker A:That scares me.
Speaker B:It's scary.
Speaker B:But I was just saying that this mov.
Speaker B:He doesn't have like a lot of like jump scary moments and she, she has this kind of jump scary moment in her death.
Speaker C:Yeah, most of it's like lead up to like weird moments.
Speaker A:Yeah.
Speaker A:Just wait for it, wait for it, wait for it.
Speaker A:You know it's coming.
Speaker A:But what is it gonna be?
Speaker A:What's it gonna be?
Speaker A:What's it gonna be?
Speaker A:The one scene I really want to talk about because I think it's one of.
Speaker A:No, it is my favorite scene in the movie.
Speaker A:I think it's such a visually powerful scene and wonderful statement scene.
Speaker A:Angela's dance.
Speaker C:Yeah.
Speaker A:Is such a good scene.
Speaker A:And the thing is, Brian, which is kind of wild, they did not initially want to do it to Bohouse's Stigmata Martyr.
Speaker A:It was supposed to be Mephistopheles, the Bumblebee Tuna song.
Speaker C:But they couldn't get it.
Speaker C:I mean, that makes sense.
Speaker A:And then they said, you know what?
Speaker A:This is going to be way too scary with that song.
Speaker C:We can't have a demonic ska band song on here.
Speaker C:We got to go something a little more light hearted.
Speaker A:Like they're like, well, what.
Speaker A:What about Mirror in the Bathroom By.
Speaker A:By English speaking.
Speaker A:They're like, no, that's not going to work.
Speaker A:We can't.
Speaker A:We can't have demons and Scott in the same movie.
Speaker A:That's just too much.
Speaker A:That's.
Speaker C:That's more of a 90s thing.
Speaker C:It's going to blow too many minds in the 80s.
Speaker A:I know.
Speaker A:We're gonna get an x Raining.
Speaker A:But in theory, they apparently went through a bunch of other actors.
Speaker A:Like the.
Speaker A:The director had a fight for Mimi Kiki.
Speaker A:He's like, I really wanted.
Speaker A:The other girls wanted to work cheaper and were hotter.
Speaker A:And he's like, I wanted someone who can actually dance, who's a trained dancer.
Speaker A:And they let her go.
Speaker A:They let her choreograph her own thing.
Speaker A:And I love all of it.
Speaker A:And the thing I love about it is that she's doing it when Sal's in the room.
Speaker A:But he might as well not be there.
Speaker A:It's not about him.
Speaker A:It's not a striptease.
Speaker A:It's not a seduction.
Speaker A:It is this thing celebrating my first night with a body.
Speaker A:It's about Angela.
Speaker A:It's about new Angela loving new Angela.
Speaker A:Love that she never acknowledges him.
Speaker A:And that's what scares him.
Speaker A:When he starts backing away.
Speaker A:It's like, I.
Speaker A:And she's still not acknowledging him.
Speaker A:That's what's scaring him.
Speaker A:He's like, why am I not being seduced?
Speaker A:Why am I.
Speaker A:Why is my male privilege not being taken advantage of right now?
Speaker A:Because I'm right here.
Speaker C:Validated.
Speaker C:Yeah.
Speaker A:And I love the music.
Speaker A:Choice is great.
Speaker A:When the stroke comes all the.
Speaker A:I love how long it is.
Speaker B:Yeah.
Speaker A:But they took their time with it.
Speaker A:But that's because I'm gay.
Speaker A:And I love musical.
Speaker A:Any excuse for a musical number in a film.
Speaker A:I'm great for him.
Speaker A:But this one's really well done.
Speaker A:It would have been better.
Speaker C:It was.
Speaker B:It was shot.
Speaker B:Well, I like the music.
Speaker B:It was great.
Speaker B:I liked it.
Speaker B:I liked it.
Speaker B:It set up kind of like where we were going.
Speaker B:Like, hey, we're gonna.
Speaker C:Things.
Speaker C:Things are about to go crazy here.
Speaker B:Yeah, things are gonna go crazy.
Speaker B:Things are gonna go crazy.
Speaker B:100%.
Speaker A:So she wasn't in the.
Speaker A:Yeah, it turns out she wasn't in the mood for talent stallion that night.
Speaker B:Nope, she was not.
Speaker B:She was not.
Speaker A:Too many.
Speaker A:Too many carbs.
Speaker A:Too many carbs.
Speaker A:She want that meat.
Speaker A:She want that meat.
Speaker B:Maybe if he had a dollar.
Speaker C:We do have Suzanne kind of like disappearing from the bathroom.
Speaker C:That.
Speaker A:I love that.
Speaker A:I love that they go.
Speaker A:I love that they go looking for a bathroom.
Speaker A:Like.
Speaker A:Like the plumbing's going to work.
Speaker A:Just piss anywhere.
Speaker B:That's what I thought.
Speaker B:I go, none of this is Ma.
Speaker B:None of this matters.
Speaker A:Well, that's Allison.
Speaker A:Allison will squat anywhere.
Speaker B:I'll just pee wherever.
Speaker C:I'll just pee wherever this dilapidated house.
Speaker C:I'm gonna pee.
Speaker C:This is out in the midd woods.
Speaker C:I'm just going to Pee.
Speaker C:Might as well pee supermarket.
Speaker C:I'm just going to pee.
Speaker A:She's actually peeing right now.
Speaker B:I'm watching right now, guys.
Speaker B:Right now.
Speaker B:But yeah, we have this kind of disappearing Suzanne moment where.
Speaker B:But Stooge is like, I'll go to the bathroom with you because I'm a gentleman.
Speaker B:Because I'm a gentleman.
Speaker A:No, no, no.
Speaker A:She.
Speaker A:No.
Speaker A:Well, she has.
Speaker A:The thing is, when she leaves, she kisses.
Speaker A:When she leaves, she's like, I gotta go pee.
Speaker A:And then she kisses Angela.
Speaker A:Infects Angela.
Speaker A:And she's like, I'm up for all kinds tonight.
Speaker B:I'm into all sorts of things tonight.
Speaker C:I'll tell you what, babe, I.
Speaker C:I'll hold yours if you hold mine.
Speaker A:I'm in the mood for all kinds of things tonight.
Speaker A:Maybe I'm in the mood for pork.
Speaker B:Pork.
Speaker A:And Sal's like, but what about me?
Speaker A:But yeah.
Speaker A:So she takes him off to the rest.
Speaker B:Take the hit.
Speaker B:Nobody wants you.
Speaker A:You're not invited.
Speaker A:You weren't on.
Speaker A:You weren't on the dislike.
Speaker A:Okay?
Speaker B:Nobody wants you, Sal.
Speaker B:Get over it.
Speaker B:Get over it.
Speaker A:God.
Speaker A:You're not on.
Speaker A:You're not on the list.
Speaker A:You're not on the list.
Speaker A:We'll get to you if there's a cancellation, okay?
Speaker A:But we don't fore.
Speaker A:Be having any cancellation, okay?
Speaker B:Everyone showed up.
Speaker B:I'm sorry.
Speaker A:Yes, you think.
Speaker A:You think.
Speaker A:You think that Suzanne's gonna kill Stooge, but no, it doesn't happen.
Speaker A:She's actually.
Speaker A:Suzanne's still waking up, which I think is fun.
Speaker A:Like, she's still figuring out what she can do.
Speaker A:Like, well, she's in the bathroom by herself.
Speaker A:You see her face start to get off?
Speaker A:I love a good bladder effect.
Speaker B:Yeah, it looks really good.
Speaker B:It looked really good.
Speaker B:And it was creepy in the bathroom.
Speaker A:It just.
Speaker A:It was creepy in the bathroom.
Speaker A:That's disgusting.
Speaker B:It was creepy in the bathroom.
Speaker B:But then it was juxtaposed by st Being like, I gotta pee, but I thought we were gonna bone in the bathroom.
Speaker B:Like, it was kind of this weird juxtaposition.
Speaker A:It's.
Speaker A:It's another.
Speaker A:It's another Brian moment.
Speaker A:Another alternate universe Brian moment when he's like.
Speaker A:Well, I thought that maybe we could go in there together.
Speaker B:Ladies before germs.
Speaker A:No, wait.
Speaker C:I thought.
Speaker A:Well, I thought maybe we.
Speaker A:We might could go in there together.
Speaker B:Huh?
Speaker A:It's a very.
Speaker A:It's the only.
Speaker A:It's the only time Stu's vulnerable in the whole movie.
Speaker B:It's true.
Speaker A:He let us in for that one second.
Speaker B:You know, we can.
Speaker B:We can do kind of a dissertation on, you know, this is why Stooge is the way he is.
Speaker B:Because he constantly is getting rejected when he shows his vulnerability and.
Speaker A:And his pumpkin ass.
Speaker A:Because he's got pumpkin.
Speaker B:Pumpkin ass.
Speaker A:We didn't talk about that.
Speaker A:Talk about that.
Speaker A:But you know what?
Speaker A:You have to watch the movie.
Speaker C:Watch the movie Stooge, who's somehow both a punk and a jock.
Speaker A:It was the 80s.
Speaker A:You had crossover.
Speaker A:And an anarchist.
Speaker A:Yeah, yeah.
Speaker C:So many anarchists in this movie.
Speaker A:And.
Speaker A:And his strip hair.
Speaker A:That strip thing, shaving his head.
Speaker A:I don't know what that was.
Speaker A:I've never seen that.
Speaker A:So he's rapper as well.
Speaker A:He's everything.
Speaker A:Don't.
Speaker A:Do not limit Stooge.
Speaker A:You can't.
Speaker B:You can't.
Speaker A:You can't box him in.
Speaker A:You can rip his tongue out, though, because that's about to happen.
Speaker B:Yeah, he's a renaissance man.
Speaker B:So.
Speaker B:So now Suzanne's infected, and we know she's infected.
Speaker B:Infected, possessed.
Speaker B:This isn't a zombie movie.
Speaker B:She's possessed.
Speaker A:Technically, she was infected.
Speaker A:It did work.
Speaker A:It did kind of work that way.
Speaker B:Like, it's spreading.
Speaker B:It's spreading.
Speaker A:And it multiplied because, like, two demons.
Speaker A:One demon became two.
Speaker B:Yes.
Speaker B:Then we had.
Speaker A:We.
Speaker B:We kind of cut over.
Speaker B:Over to the.
Speaker B:The couples that are trying to get it on a little bit.
Speaker B:Right?
Speaker B:Is that where we're at?
Speaker B:We're trying to get.
Speaker B:We're trying to get them in.
Speaker B:We have.
Speaker A:Well, I mean, since we're on Stooge, we might as well finish off stage.
Speaker B:Finish off Stooge.
Speaker B:Finish off Stooge.
Speaker B:All right.
Speaker A:He comes back and sounds like, hey, she's acting really weak.
Speaker A:He's like, I don't care.
Speaker A:We're gonna her anyway.
Speaker A:Well, all right.
Speaker C:Now the party's back and so is Stuji.
Speaker A:Hey, careful, man.
Speaker A:She's acting really win.
Speaker C:Don't worry, Sal.
Speaker A:It ain't the weird ones you gotta watch out for.
Speaker A:God, didn't your mom teach so, ang, you come here often?
Speaker B:You know, Stooge, I never realized how sexy you are.
Speaker B:Kiss me.
Speaker C:Oh.
Speaker B:So they kiss.
Speaker B:They kiss and they make out for a bit, but it's not what Stooge wants.
Speaker B:And now, not only.
Speaker B:Not only is he part of the possessed crew, now he's part of the possessed crew because he.
Speaker B:He's been.
Speaker B:He's been kissed.
Speaker B:And then two, he got his tongue the hell bit out.
Speaker B:Yeah, like, it's nuts.
Speaker B:The hell.
Speaker B:Like, at first I was like, is that what's going on?
Speaker B:And then she, like, spat it out.
Speaker B:On the ground.
Speaker B:And I was like.
Speaker A:And smiled and smiled.
Speaker B:Yeah.
Speaker B:With all the blood.
Speaker A:The mouthful of shark teeth.
Speaker A:The mouthful of shark teeth.
Speaker B:So good.
Speaker A:It's really.
Speaker A:The sad thing about it is that Stooge will never call anybody again.
Speaker A:No, the world will miss that.
Speaker A:The world will miss that.
Speaker B:The world will miss that.
Speaker B:The world will miss that.
Speaker B:So that kind of completes Stooges possession art.
Speaker B:Yeah, yeah, yeah, we'll get back to that.
Speaker B:But now we're jumping because this movie jumps around to everybody's stories, right?
Speaker C:And they're all, like, interwoven too.
Speaker C:Like, stuff will happen and we'll see, like, part of a scene, Then it'll go to a different scene with a different couple, then back to.
Speaker A:Yeah, we need to talk about.
Speaker A:We need to talk about this.
Speaker A:This we're beating up.
Speaker A:We're leading up to the crux of the goddamn movie.
Speaker A:Most important scene in the film.
Speaker A:Suzanne in the bathroom.
Speaker A:Suzanne, on her own in the bathroom, discovered covering herself.
Speaker A:Just.
Speaker A:Just.
Speaker A:Just like.
Speaker A:Just like Angela was doing it with dance.
Speaker A:Suzanne's exploring the world of makeup and cosmetics.
Speaker B:Yes.
Speaker A:How do I make this new face of mine pretty?
Speaker A:How do I make my new demon face pretty?
Speaker A:You know, by putting makeup everywhere.
Speaker B:Everywhere.
Speaker C:Everywhere.
Speaker B:I'm fixing my face.
Speaker A:Oh, not you too.
Speaker A:What, is everybody here on drugs or something?
Speaker A:You know, you're a sweet looking babe, Suzanne, but you and your friend Ange are just a little too weirdo for me.
Speaker B:I can't seem to get it right.
Speaker A:No, thanks, honey.
Speaker A:I'm not that type of guy.
Speaker A:Good night now.
Speaker A:I'm going home.
Speaker B:You are home, Sal.
Speaker A:Uh, this dirty dive don't spell home to me.
Speaker A:I live in a nice house.
Speaker A:You know what?
Speaker A:Plastic slip covers on the furniture.
Speaker A:Enjoy your lipstick, doll face.
Speaker A:Good night.
Speaker C:Draw a heart on our face with it.
Speaker B:We're gonna draw a heart on our face with lipstick.
Speaker A:I can't seem to get it right.
Speaker B:Yeah, yeah, yeah.
Speaker B:And it.
Speaker A:What I was said, though, they'd set up.
Speaker A:They'd set up a checkoffs.
Speaker A:I mean, we have checkoffs lighter in this movie set up earlier, which we didn't talk about because it might have been that Susanna's been walking around with this shattered piece of the mirror the whole time that she's.
Speaker B:That she's using.
Speaker B:Yeah.
Speaker B:She's now using the shattered piece of the mirror to make up.
Speaker B:Yes.
Speaker A:That the demon Suzanne is doing.
Speaker A:And she never uses it.
Speaker B:Never used it.
Speaker B:Yeah, never used it.
Speaker A:You know what?
Speaker A:But you know what?
Speaker A:It makes sense because she's going to need that later, it makes sense that I said out, like, because she's.
Speaker A:Suzanne's demon is just as vain as Suzanne.
Speaker A:She's going to want that mirror intact.
Speaker B:So that she can check her makeup.
Speaker A:100, make sure that she's still.
Speaker A:To make sure that she still looks good for the boy's footstep.
Speaker A:I love that she stabs her foot.
Speaker A:Which is for the boys.
Speaker B:Go for the boys.
Speaker B:But this.
Speaker B:This is like the scene of the movie, right?
Speaker B:Like this.
Speaker B:Like, when you think about this movie, this is like the scene, well, we.
Speaker C:Have to have my dead gay son get rebuffed by Judy first.
Speaker A:Oh, yeah.
Speaker A:Okay.
Speaker A:Yeah, yeah, yeah, yeah, yeah, yeah.
Speaker A:You're.
Speaker A:You're right.
Speaker A:You're right.
Speaker B:Yeah.
Speaker B:Because that's where I was going with it originally.
Speaker B:And then we started talking about lipsticks.
Speaker A:I'm sorry, but.
Speaker A:But they.
Speaker A:We're flashing back and forth between these two scenes, so.
Speaker C:You're right.
Speaker A:I'm just cutting.
Speaker A:I'm trying to.
Speaker A:I'm trying to cut to the chase, but you're right.
Speaker A:There's a little bit expo needs to go on here.
Speaker A:You know, Franny and Max decide to go off and.
Speaker A:Somewhere and.
Speaker B:In a coffin.
Speaker B:In a coffin.
Speaker C:Because neither one of them have done that before.
Speaker B:None of that.
Speaker A:You know, I've never made it in a coffin before.
Speaker B:Me neither.
Speaker A:So what are we waiting for, Allison?
Speaker A:I'm just glad they didn't say make love in a coffin, because it was.
Speaker A:We move past that age, right?
Speaker A:Made love in a coffin.
Speaker B:I mean, I would have been.
Speaker B:I know this is like a.
Speaker A:Just kids that find furniture would have said that.
Speaker B:Yes, very true.
Speaker A:But unfortunately, they're all dead anyway.
Speaker B:But I.
Speaker B:I mean, obviously, if you.
Speaker A:Don'T know what we're talking about, you have to listen to the entire Alison and Brian back catalog.
Speaker B:Okay, well, I'm gonna make another deep cut.
Speaker B:I was gonna make another deep cut joke where I would go, it's too bad that this is a mortuary, because there's not an X ray room.
Speaker C:Nice.
Speaker B:Now you don't have the X ray room.
Speaker A:Wow.
Speaker A:Wow.
Speaker A:That's the first one.
Speaker A:That's the first one is the first time.
Speaker B:Oh, yeah, the X ray room.
Speaker B:So I made a deep cut.
Speaker B:I made a deep cut.
Speaker A:Growth lava lamp.
Speaker A:Anyway.
Speaker B:So it's.
Speaker B:It's Judy and my.
Speaker B:My giddy.
Speaker B:So they're so Max and Franny, they're boning in a coffin.
Speaker A:I'm sorry.
Speaker A:I'm sorry.
Speaker A:My Judy and who.
Speaker A:Because none of that was English.
Speaker A:It just came out then.
Speaker B:I just Started talking about Max and Frank.
Speaker B:So Max and Franny, we just put the pin in that they're having an Javan.
Speaker A:Related syllables.
Speaker A:That is now my new ringtone.
Speaker B:Max and Franny boning in a.
Speaker B:Boning in a coffin.
Speaker B:And we also get some good boning in a coffin.
Speaker A:Another.
Speaker B:We also get some good titties there too.
Speaker B:I'm not going to lie.
Speaker B:The boo.
Speaker A:No, no, she's.
Speaker A:No, no, she's got excl.
Speaker A:No, Yeah.
Speaker A:I was going to say that's the other legendary set of tits.
Speaker A:She's another horror queen who always gets her tits out.
Speaker A:And they're gorgeous.
Speaker A:So she.
Speaker B:So gorgeous.
Speaker B:Gorgeous, gorgeous, gorgeous.
Speaker A:And a decent actress.
Speaker A:Yeah.
Speaker A:Yes.
Speaker B:Loved it.
Speaker B:Love, loved it, loved it.
Speaker B:And then we have Judy and.
Speaker A:Gay.
Speaker B:Dead son and they're trying to bone, but Judy's like, nah, I'm a good girl.
Speaker B:And he's like, but you did it with Sal.
Speaker B:And she's like, shut up.
Speaker B:Why are we talking.
Speaker B:Shut up.
Speaker A:Judy, Come on, quit the act.
Speaker A:I know you've done this before.
Speaker B:What?
Speaker A:I saw the way you jumped to Sal's age, Jay.
Speaker B:What are you getting at?
Speaker A:I know all about you two.
Speaker B:Oh, really?
Speaker B:What do you know?
Speaker A:Nothing.
Speaker A:I just know that you used to.
Speaker B:Date Sal, that's all.
Speaker B:Date him?
Speaker B:I went out with him once.
Speaker A:Once is all it takes.
Speaker A:I don't understand why you're acting like this.
Speaker A:Half the school knows about you and Sal, so what's the big deal?
Speaker B:Oh, so you think I slept with Sal just because I went out with him?
Speaker A:Didn't you?
Speaker B:You know that's none of your business.
Speaker B:So that's why you wanted to go out with me?
Speaker B:Oh, come on.
Speaker A:I thought you wanted it just as much as I did.
Speaker B:Jeez.
Speaker B:Like, she didn't deny it.
Speaker C:She didn't deny it.
Speaker B:She didn't deny it, which I found interesting.
Speaker A:She's like, none of it.
Speaker A:She said none of her business.
Speaker A:And you know what business you went good for her.
Speaker A:Stand your ground.
Speaker A:It's not even business that you sell.
Speaker A:You know what?
Speaker A:Yes.
Speaker A:The two of them, her and cell, don't go together, which means they totally bond.
Speaker B:Like, they totally bond.
Speaker A:The two.
Speaker A:The two.
Speaker A:The.
Speaker A:The good girl and the greaser do not go together.
Speaker A:They would never be accepted as a couple in high school.
Speaker A:So they.
Speaker A:Absolutely, totally.
Speaker A:Because that was their only chance to do so.
Speaker A:100%.
Speaker A:And you know what?
Speaker B:Good for the vote, 100%.
Speaker B:And I wanted to bring that up.
Speaker C:I wanted to bring that up that they didn't.
Speaker C:And that's why Sal was still trying to get after her.
Speaker B:Wants more.
Speaker C:I thought he wanted to close the deal that he did close on the one time.
Speaker A:Br.
Speaker A:Br.
Speaker A:He likes her personally.
Speaker A:Her.
Speaker A:He likes her personality and her enormous cha Chas.
Speaker C:So it's just the enormous cha Chas.
Speaker B:This.
Speaker B:This is their west side Story.
Speaker B:I mean, she is Maria.
Speaker A:I will not tell.
Speaker B:Guy gets a Maria.
Speaker A:No.
Speaker A:And even cell has growth during this movie because he's been the.
Speaker A:The whole movie, but he.
Speaker A:Towards the end, he's showing heroic qualities.
Speaker A:Like, he has a turnaround 100.
Speaker A:Just like.
Speaker A:Just like Tony used to be a Jet, and now it doesn't want to be a Jet anymore.
Speaker A:It's totally what this is, what I'm telling you.
Speaker B:It's the west side Story.
Speaker B:It's the west side Story subplot.
Speaker B:The west side Story subplot.
Speaker A:Crazy cool.
Speaker A:Go.
Speaker A:Yeah.
Speaker B:So.
Speaker B:So that's why I wanted to bring that up, because she doesn't deny it.
Speaker B:And I thought that was super cool because normally be like, no, I'm the good girl.
Speaker B:And like, that's all they are.
Speaker C:That's.
Speaker C:I wanted her not to deny.
Speaker C:Deny it, but that's still.
Speaker C:Because I think that's just as good she should.
Speaker C:She doesn't answer to my dead gay son at all.
Speaker C:So whether she did or did not.
Speaker C:So I'm glad she didn't say it is none of his business.
Speaker A:She dumps his tweet ass on the floor.
Speaker A:That's.
Speaker A:Yeah.
Speaker C:He's like, you.
Speaker B:You're done.
Speaker C:I didn't even know they were on top of something that she could push him off onto the ground from.
Speaker C:That was the best part.
Speaker A:Free my cha Chas.
Speaker A:Let him Let them get off my.
Speaker A:You're flattening my cha Cha.
Speaker B:My magnificent cha Chas.
Speaker C:You can ask my little brother about them.
Speaker B:That's the closest you'll.
Speaker B:Jay.
Speaker B:Ooh, Jay.
Speaker B:So that's.
Speaker B:That's why that was important, because I wanted to circle that back around to, like, the women being, like, the alpha demons and, like, the main demons and even.
Speaker B:Even good.
Speaker B:Good old Judy, you know, she has her moment of like, hey, it doesn't.
Speaker B:You don't get to control who I bone.
Speaker B:And if I did bone sale, that's on me.
Speaker B:And maybe I liked it.
Speaker B:And you suck.
Speaker B:So get out of here.
Speaker A:And you know what?
Speaker A:You know what?
Speaker A:I'm gonna go.
Speaker A:I'm gonna roll with that for a little bit.
Speaker A:I'm gonna roll with that a little bit.
Speaker A:Just go.
Speaker A:Just because what we didn't.
Speaker A:We talked about a Little bit.
Speaker A:In her very first scene back at the house, Judy has a nude scene.
Speaker A:Like, we get to see her butt and we get to see her boobs through her very sheer bra, which by horror movie rules makes her a slut.
Speaker A:And she needs to die.
Speaker A:But the fact that she's turning this all around just like, no, no, I'm not gonna let that first scene in the movie dictate who I am either.
Speaker B:Exactly.
Speaker A:Maybe I'm.
Speaker A:Maybe I'm not the virgin of the movie.
Speaker A:But that doesn't mean I'm gonna have to die or put out for this fucker.
Speaker A:Cause this guy, this guy is dead and he's gay.
Speaker A:And I got.
Speaker A:I also want to say.
Speaker A:Just want to say a hats off to Lance Fenton.
Speaker A:He's an absolute in this movie.
Speaker A:Apparently he's a really lovely guy.
Speaker A:Like, a really lovely quiet guy.
Speaker A:And he plays in two movies.
Speaker A:Shitty date rapist guy in the two movies.
Speaker A:But anyway, he gets tired of this crap.
Speaker A:He's like, well, you.
Speaker A:I'm going to leave you in this room.
Speaker A:And she.
Speaker A:I'm.
Speaker A:I'm going to go off and find somebody else to bone.
Speaker A:And she gets locked in.
Speaker A:But he slams the door in this room.
Speaker A:And yeah, it's important that she stays there for a while.
Speaker A:That.
Speaker A:That becomes important to the plot later.
Speaker B:Yeah, 100%.
Speaker B:100%.
Speaker A:But unfortunately, that means he goes wandering off and he bumps into Suzanne.
Speaker A:Hi, Suzanne.
Speaker B:Suzanne.
Speaker B:Suzanne.
Speaker A:Hello, Suzanne.
Speaker A:Will anybody?
Speaker B:I mean, she's got this hypnotic hiney, as you guys say.
Speaker B:It ain't the hiney only, guys.
Speaker B:It ain't the heiny only.
Speaker A:No, I mean, it's.
Speaker A:It's Linnae Quigley.
Speaker A:When you get.
Speaker A:When it's Linna Quigley, it's everybody.
Speaker B:It's everything.
Speaker B:It's everything.
Speaker A:Have you seen Return of the Living Dead?
Speaker C:Oh, not.
Speaker C:I would say, not really, due to being inebriated whenever it's been put on.
Speaker A:Yeah, she's the.
Speaker A:She's the nude zombie.
Speaker A:She's trash.
Speaker C:Oh, okay.
Speaker B:Okay.
Speaker A:Yeah, she's got that shirt right here.
Speaker A:But that's what made her famous.
Speaker A:And so that's what she does.
Speaker A:She's always nude and she always delivers with that.
Speaker A:And she's does it well, but she.
Speaker B:Does it well when you do it well when you do it well.
Speaker A:I'm gay as a goose and I love seeing her naked.
Speaker A:I'm like, this is because she just owns it.
Speaker B:She owns it.
Speaker B:She's gorgeous.
Speaker B:Hells yeah, you're right.
Speaker B:Like, totally.
Speaker B:So, Jay, I'm getting paid a Hell.
Speaker A:Of a.
Speaker A:I'm getting paid a hell of a lot of money for this because this is what I do.
Speaker A:They come to me for this.
Speaker A:I get a lot of money for this.
Speaker A:Good for you.
Speaker A:Get it.
Speaker A:Get it, girl.
Speaker A:But before Jay gets there, she's having a moment.
Speaker A:She's, she's still playing with her lipstick.
Speaker A:What happens with this lipstick?
Speaker A:What new, what new way to use lipstick does she invent right in front.
Speaker B:Of us, right in front of our eyes?
Speaker B:So she used this lipstick to draw a heart on her face, which is.
Speaker B:She already stated.
Speaker A:You said hard on.
Speaker B:Hard, hard, hard on.
Speaker B:And you know, she's trying to be pretty and she, she, she opens up her, her pink little top, top, and she uses the lipstick to, like, draw a little line down the center and then around a booby and then kind of towards a nip nape and pushes it.
Speaker B:The nip nape just eats the lipstick.
Speaker B:I don't know what pushes it right.
Speaker B:Pushes it right.
Speaker B:The freak on in.
Speaker B:And I sat there, there and I went, that nipple just ate that lipstick.
Speaker A:Ryan, rewind that right now.
Speaker B:That nipple just ate that lipstick.
Speaker C:The old lipstick into the nipple trick.
Speaker B:Yeah, I was like, what?
Speaker B:What just happened?
Speaker A:So she, no, no, she goes.
Speaker A:Because she's the owner of Titty Magic from Ronco, she got a hypno ass and a magic tit.
Speaker A:And I, I, I just realized this.
Speaker A:Last time, through Alison, did this reveal a secret about women that the rest of the world did not know about?
Speaker A:Is this why women don't have pockets in their clothing?
Speaker A:Is this really why we just.
Speaker B:We have them?
Speaker B:That's our nipples.
Speaker B:It's our nipples.
Speaker A:You don't want us to know.
Speaker A:It's something to complain about while not letting us know about your titty, your titty cupboard.
Speaker B:The women's society is going to come after us now for revealing this, by the way.
Speaker A:Well, it's too late.
Speaker A:It's been out for 40 years now.
Speaker A:It's okay.
Speaker B:True, true, true, true, true, true, true.
Speaker B:So that's like the scene.
Speaker B:Like, in my opinion, this is like, if someone had to tell me, like, oh, this.
Speaker B:What's like the scene?
Speaker B:Like, this is the scene of the movie.
Speaker A:I didn't get that.
Speaker A:Well, that's why you're here.
Speaker A:This is why you're here, for that scene.
Speaker B:Because I'm not biased or it's one.
Speaker A:Of the, it's one of the.
Speaker A:No, no, but is one of the most epic what the fuck scenes in all of horror.
Speaker A:Because it comes out of nowhere, it means nothing, but it's one of those things, like, you just see, like, let's just play with things.
Speaker B:Yeah.
Speaker A:That somebody had an idea.
Speaker A:Like, you know what?
Speaker A:We got two hours.
Speaker A:Let's see what we can do.
Speaker B:Let's see what we can do.
Speaker B:And typically throughout the movie like this, it hasn't been that kind of movie.
Speaker B:Right.
Speaker B:Like, we've gotten some face makeup and stuff like that, but we haven't gotten really just like, weird.
Speaker B:Like, I mean, we've gotten weird, but, like, we haven't gotten like, kind of that weird, unsettling, WTF kind of thing.
Speaker B:So when this one comes in, you're kind of like, oh.
Speaker B:Like, it's even more jarring because it's like you're expecting kind of like the special effects makeup for the dark demons and stuff, but you're not just expecting.
Speaker C:Like, the lipstick going into the Tata.
Speaker B:Yeah.
Speaker A:Hungry tits.
Speaker A:I look around I can deny a hunger Tits.
Speaker A:Thank you.
Speaker B:Oh, my goodness.
Speaker A:Fun.
Speaker A:Just fun fact.
Speaker A:I remember when I saw this in college, that scene got rewound so many times because we had to keep getting people, like, we kept grabbing people like, you gotta get in here.
Speaker A:Come on.
Speaker A:It just be like, tits.
Speaker A:Huh?
Speaker A:Okay, whatever.
Speaker A:What?
Speaker A:What?
Speaker A:What?
Speaker C:I believe Allison, you were just like.
Speaker C:Like that and I was just like, I don't.
Speaker C:I don't.
Speaker A:I don't know.
Speaker A:Brian is like, oh, yeah.
Speaker A:Oh, yeah.
Speaker A:All right.
Speaker B:But it is definitely like a WTF moment.
Speaker B:Because.
Speaker B:Because like I said, the rest of the movie wasn't making you feel feel like it was going to be like a WTF kind of.
Speaker C:Yeah.
Speaker B:You know what I mean?
Speaker B:Like, there's there's other horror movies where it's like, that's kind of par, right?
Speaker B:You know?
Speaker A:Yeah.
Speaker A:The Body Heart movies, the David Cronenberg stuff like that.
Speaker C:Yeah.
Speaker B:Booger.
Speaker B:Like, that's one recently, right?
Speaker B:Where it's like, you know, it's like kind of body horror where this wasn't that.
Speaker B:And so when it comes out and it comes out of nowhere, I was like, whoa.
Speaker B:And then like, you don't really get it anymore.
Speaker B:That was that.
Speaker A:No, no.
Speaker A:It comes out of nowhere and then go.
Speaker A:That just goes backwards.
Speaker A:Came from.
Speaker A:It's like, thank you.
Speaker A:We're never going to do anything like this ever.
Speaker A:The rest of the movie.
Speaker A:I hope you enjoyed it.
Speaker A:I did that.
Speaker B:That was your one.
Speaker A:You'll remember.
Speaker A:If you remember nothing else about this movie, you'll remember this.
Speaker B:You will remember this.
Speaker A:Brian.
Speaker A:Brian.
Speaker A:I figured it out.
Speaker A:That's why she's always so mad at Flat chested Girls, she's.
Speaker A:They're not utilizing their storage space properly.
Speaker B:You got to get more stuff in there, ladies.
Speaker B:You got to get more stuff.
Speaker A:Lose it.
Speaker A:Use it or lose it.
Speaker A:Genetics is going to make.
Speaker A:You know what?
Speaker A:Darwinism is going to make it go away.
Speaker B:It's going to make it go away.
Speaker A:If you don't make it go away for future generations.
Speaker A:Come on, girls, get it in there.
Speaker B:Put your stuff in there.
Speaker B:Put your stuff in there.
Speaker A:So I love.
Speaker A:I love when Max shows up and they're going to bone that she just takes off her panties and just parks right on his dick.
Speaker A:She just parks right on, like.
Speaker A:Yeah, I already know 4 plan nothing.
Speaker A:I know what I want.
Speaker A:I got a cute boy.
Speaker A:He's got his dick out.
Speaker A:I'm going to just sit right on it and let's go.
Speaker B:It's true.
Speaker B:It's true.
Speaker B:There's no lead up.
Speaker A:I know.
Speaker A:I got lipstick in my tit.
Speaker A:It's going to melt like a place to be.
Speaker B:There is zero lead up.
Speaker B:Just them.
Speaker C:Yep.
Speaker C:Yep.
Speaker B:Oh, my goodness.
Speaker A:Well, she dances.
Speaker A:She did.
Speaker A:I mean, she.
Speaker A:She dances.
Speaker A:She start.
Speaker B:Yeah, she takes her clothes off and does.
Speaker A:She shows.
Speaker A:She shows her beaver for a while.
Speaker A:Like, this is what you got to get.
Speaker B:Yeah, we did get.
Speaker B:We did get a final shot, didn't we?
Speaker B:Didn't we?
Speaker B:I forgot about that.
Speaker B:We did get a final shot, but, yeah, so there's.
Speaker B:So there's that.
Speaker B:And then they're like, we're going to bone, and they start boning.
Speaker B:And then he's like, wait a minute.
Speaker C:Oh.
Speaker C:She's like, am I pretty?
Speaker C:He was like, yeah, yeah, you're pretty.
Speaker C:Whatever.
Speaker A:No, what's it.
Speaker A:No.
Speaker A:Yeah, well, yeah.
Speaker A:What are you staring at?
Speaker A:Yeah, why are you looking at me?
Speaker B:Yeah, yeah, yeah, yeah.
Speaker A:Is there something wrong with my makeup?
Speaker B:What are you looking at?
Speaker B:What?
Speaker B:Is my makeup okay.
Speaker A:Are you crazy?
Speaker A:What are you talking about?
Speaker A:About.
Speaker B:Stop staring at me, damn it.
Speaker A:Suzanne, your makeup is fine.
Speaker B:Come on.
Speaker B:What are you worried about?
Speaker B:Ah, jeez.
Speaker A:Christ.
Speaker C:Stop looking at me.
Speaker A:Ah, damn it.
Speaker A:Go.
Speaker A:And let's just say I've been in scenarios like that where something like that did happen, where all of a sudden you realize the person you're with is completely bonkers.
Speaker A:Like.
Speaker A:Oh.
Speaker A:But not bonkers enough to pull your dick out of them, apparently.
Speaker A:Yes.
Speaker B:Definitely not.
Speaker A:Well, you know, she was.
Speaker A:She was.
Speaker A:She was.
Speaker A:She wasn't gonna let him go anyway.
Speaker A:You see that moment where you think, if there's teeth up there, I think there was teeth down there, too.
Speaker A:Because all of A sudden you realize like, he ain't going nowhere.
Speaker A:The pelt.
Speaker A:That pelvic floor was like, no.
Speaker B:Yeah.
Speaker B:And so, yeah, so that.
Speaker B:That goes badly for poor Jay.
Speaker B:And he gets his eyeballs popped out.
Speaker B:So there's.
Speaker B:So there's that.
Speaker A:I love my twice dead gay son.
Speaker C:My blind dead gay son.
Speaker B:My blind dead.
Speaker A:I'm dead.
Speaker A:Mine.
Speaker B:So there's.
Speaker B:There.
Speaker B:So there.
Speaker B:So now Jay is quote unquote dead, even though he's not dead.
Speaker B:Because I guess if you get.
Speaker B:I guess they didn't kiss during this.
Speaker B:During this lovemaking.
Speaker B:They don't kiss because he's not a demon.
Speaker B:He is just what Brian is calling a minion.
Speaker B:Right?
Speaker B:He's a reanimated corpse.
Speaker B:He's not.
Speaker B:He's not like stupid.
Speaker A:Excuse me, Suzanne.
Speaker A:Suzanne has the power to make people hierarchy.
Speaker A:Like high level demons.
Speaker A:You think she's got to waste it on this annoying.
Speaker A:I only want.
Speaker A:She doesn't want the J.
Speaker A:All she wants is the day we're back to letters again.
Speaker A:We're back to Sesame Street.
Speaker A:Sesame Street.
Speaker A:And you're not getting this.
Speaker A:No, I'm not gonna make you one of me.
Speaker A:Are you crazy?
Speaker A:You could be my.
Speaker A:You could be my peon for the night.
Speaker A:Thank you.
Speaker A:And I might pee on you later.
Speaker A:Who knows?
Speaker B:Who knows?
Speaker B:I never did.
Speaker B:I never did go to the bathroom.
Speaker C:Yeah, neither did Stooge.
Speaker B:Got a little distracted.
Speaker B:I still gotta go.
Speaker B:But they.
Speaker B:They don't kiss.
Speaker B:They don't kiss.
Speaker B:He's not a demon.
Speaker B:Don't get me wrong.
Speaker B:He's not a demon.
Speaker B:He's kind of the reanimated, quote unquote minion is what kind of.
Speaker B:What we'll call it.
Speaker B:Jump to back to Max and Franny.
Speaker B:So they're boning in the.
Speaker B:In the.
Speaker B:In the coffin.
Speaker B:And Stooge finds them.
Speaker A:Excuse me.
Speaker A:Excuse me.
Speaker A:They're boning in the coffin.
Speaker A:But it's not going well because Franny says, ow, Max, I don't bend that way.
Speaker B:I don't bend that way.
Speaker B:Ow, Max, I don't bend that way.
Speaker A:This movie.
Speaker A:This movie.
Speaker B:I loved it.
Speaker B:I loved it.
Speaker B:I forgot about that.
Speaker B:I don't bend that way.
Speaker A:This movie.
Speaker A:I do.
Speaker B:And then Stooge comes in, they get killed.
Speaker A:He snap.
Speaker B:He snaps Franny's neck.
Speaker B:And then he uses the coffin lid to like kill.
Speaker B:Cuz because Max was on the bottom.
Speaker B:They.
Speaker B:If you didn't know, Max is on bottom.
Speaker B:And she was on top.
Speaker B:And so snaps.
Speaker A:Another thing with this movie.
Speaker A:Women on top in both sexes.
Speaker B:Women on Top.
Speaker B:Each and every time.
Speaker B:Women on top.
Speaker B:And so he uses the.
Speaker B:The coffin to kind of like bludgeon him.
Speaker B:And his arm.
Speaker B:Max's arm gets cut off.
Speaker A:Hey, man, get the out of here.
Speaker A:No, no, no.
Speaker A:Holy.
Speaker A:No stooge.
Speaker A:No stooge.
Speaker A:No.
Speaker A:Not.
Speaker A:No.
Speaker B:So Roger, we.
Speaker B:We go to Roger, and he's in the car.
Speaker B:We already said Helen, like, magically disappeared, which was super scary.
Speaker A:He heard voices calling his name.
Speaker B:He heard voices and he.
Speaker A:And he's like, yeah, I'm not going back in that house.
Speaker B:I'm not going back.
Speaker B:He's had out in the car.
Speaker B:And we go to the car and something, like, lands on the roof and, like, it jostles the car and he's like, stooge, I know it's you.
Speaker B:Quit being stupid, fatty.
Speaker B:Like, he calls him fat.
Speaker B:And like, only.
Speaker B:Only a fat sob, like you can make the car, you know, jostle like that.
Speaker B:And that's when we get kind of like our only super, like, quote unquote jump scare is when you see Helen's like, she gets like.
Speaker C:Yeah, slapped.
Speaker B:Literally, like, slapped onto the roof of the.
Speaker A:No, the.
Speaker B:The front windshield.
Speaker A:The windshield.
Speaker B:The windshield is the word I'm looking for.
Speaker A:The glass face.
Speaker B:The glass face.
Speaker B:And you just see her, like, bloodied, stinking, like, face right there.
Speaker B:And like, that's the jump scary stooge.
Speaker A:I know that's you, man.
Speaker A:Only a fat slob like you could shake this car.
Speaker A:So I love what I love about that.
Speaker A:She lands.
Speaker A:The face is like, get squashed all the way to the side of her skull.
Speaker A:Like, it's so grizzly.
Speaker A:It's so grizzly.
Speaker B:It's so good.
Speaker B:It is so good.
Speaker A:This is me doing, you know, headcanon too.
Speaker A:Like, people like, where's.
Speaker A:Why do we say that?
Speaker A:In my mind, like, when Helen disappeared, I pictured, like, whatever force was like, running around the gas fart voice where, like, just lifted her up and she's just been hanging up in the air all this time.
Speaker A:Like one of those wind demons we see in the cartoon.
Speaker A:Like, whatever that invisible version of that is, they just have her up there and they're just like, I'm gonna wait.
Speaker A:I'm gonna wait.
Speaker A:Like, she's not dead yet.
Speaker A:She's been up there this whole time waiting to die.
Speaker A:Because it's not about killing them.
Speaker A:It's about causing the best scare.
Speaker A:I want to scare the shit out of that one.
Speaker A:It's just.
Speaker A:Yeah, I'm bored of you, Helen.
Speaker A:30 Helens agree that it was time for Helen to death.
Speaker B:Yes.
Speaker B:Classic reference.
Speaker B:Kids in the hall.
Speaker B:Classic reference.
Speaker B:So Roger gets spooked and he's like, I guess I have to get out of this car now.
Speaker A:Yeah.
Speaker A:He's heading back in the house.
Speaker A:Yeah.
Speaker B:So he head backs and he.
Speaker B:He heads back into the house and he's.
Speaker B:He runs into Sal.
Speaker B:Sal.
Speaker B:Yes.
Speaker B:Because I.
Speaker B:Yeah.
Speaker C:And this is when Angela was chasing after Sal and Roger.
Speaker A:I love all this stuff.
Speaker A:Everything with Angela Hall I love.
Speaker A:She's having such a great time physically.
Speaker A:She's serving physically, but.
Speaker A:But also, like Alison mentioned earlier, she's floating.
Speaker A:She's floating in that dress.
Speaker B:She's floating and it's 88.
Speaker B:How'd they do that?
Speaker A:I mean, she's probably on a dolly or she's a trained dancer.
Speaker A:There's this video out there of dancers like, oh, look how they're floating.
Speaker A:But they're just on point under these really long skirts.
Speaker A:But it looks like they're floating.
Speaker A:So she might be doing that, but probably she's on a dolly.
Speaker A:But it looks great.
Speaker B:It looks great.
Speaker A:It looks really great.
Speaker A:It looks great.
Speaker B:Yeah.
Speaker B:She's floating down this hallway chasing everybody, like, video game style, which is awesome.
Speaker B:Loved it.
Speaker A:One of my favorite moments in this end, too is that Judy's been locked up in this room, bombing room or wherever they were making out.
Speaker A:Because that's the sexiest place to be.
Speaker A:Because you know when you're getting involved, you get something shoved in you, and that's where you best make out.
Speaker A:Thank you.
Speaker A:It's when the X ray room has lost his.
Speaker A:Lost its thrill.
Speaker A:But.
Speaker A:So she's been locked up the whole time.
Speaker A:So she doesn't know what's going on.
Speaker A:She has no clue what.
Speaker A:What's going on.
Speaker A:So when they fight, when S And and Roger finally get her out and she sees Angela, she hits the deck.
Speaker A:She just drops.
Speaker A:I think that's such a great choice.
Speaker A:She just hits her in the face and she drops.
Speaker B:100%.
Speaker B:100%.
Speaker B:Help.
Speaker B:Somebody get me out of here.
Speaker A:How do we know it's really her?
Speaker A:Come on, Judy.
Speaker B:Yeah.
Speaker A:Sal, Please get me out of here.
Speaker B:Here.
Speaker A:Sure thing, Judy.
Speaker A:Stand back.
Speaker A:Wait.
Speaker B:What else?
Speaker A:Not her.
Speaker A:Come on.
Speaker A:Rats.
Speaker A:Who else could it be?
Speaker A:Come on, get up to you.
Speaker B:I can't.
Speaker B:I can.
Speaker A:Yes, you can.
Speaker B:Come on.
Speaker A:Because this party's got crazy while you're not out.
Speaker A:Oh, you've been gone, Judy.
Speaker A:It's gone.
Speaker B:What happened?
Speaker B:Where have I.
Speaker C:Where.
Speaker C:Where's this going?
Speaker B:Where did this go?
Speaker A:Jay, did the drugs finally arrive?
Speaker A:He didn't tell me.
Speaker B:J oh, my goodness.
Speaker B:But there's a lot of chasing, a lot of back and forth.
Speaker C:Sal falls to his death.
Speaker B:Yes.
Speaker A:Yeah, yeah.
Speaker A:I want to wrap up with my dead gay son before we get to that because there's a few things I want to do something somewhat in order.
Speaker A:Sorry I'm being bossy now, but it's my show, so fuck off.
Speaker A:But also you.
Speaker A:When, when, when, when her and Sal are running around because, because Roger, what we're, what we're getting here, the dynamic that we're getting is that we're just seeing Roger the coward and Sal stepping up into the hero role and all that's going to get reversed soon.
Speaker A:But so Roger keeps running off from his own, leaving Sal and Judy to himself.
Speaker A:And they stumble across Suzanne and the body of my dead gay son.
Speaker B:Hey, how about an orgy?
Speaker B:I'm sure if we try, we can get Jay hard again.
Speaker A:Run, Judy, run, Judy, run.
Speaker A:I'm sure if we try, we can get J.
Speaker A:Hart again.
Speaker A:And a girl.
Speaker A:Atta girl.
Speaker B:That was a great line.
Speaker B:That was a great line.
Speaker A:It was a great line.
Speaker A:Yeah.
Speaker A:And it's a horrific scene to start with.
Speaker A:But the thing that really sells the scene is what happens afterwards when Sal's like, run, Judy, run.
Speaker A:And Suzanne starts mocking going, run, Judy, run.
Speaker A:See Judy run.
Speaker B:But run, Judy, run.
Speaker B:See Judy run.
Speaker A:She hits this pose in the doorway to say, run, Judy, run.
Speaker A:See Judy run.
Speaker A:And then they had the series of the doors all over the house starting to slam, damp, slam, slam, slam.
Speaker A:But in the back there's a silhouette of Suzanne and it's clearly a cutout.
Speaker A:It's a gobo cut out, but all the angles are wrong.
Speaker A:And it's so up looking like.
Speaker A:It looks like a person, but it also does not look like a person at all.
Speaker A:It looks insect time.
Speaker A:Like insect time.
Speaker A:Is that a word?
Speaker A:Insectical.
Speaker A:It looks, it looks insectical to me.
Speaker A:It's my favorite shot of the movie.
Speaker A:I love the favorite shot and the favorite.
Speaker A:Run, Judy, run.
Speaker A:It's so mean.
Speaker A:Run, Judy, run, Judy, run.
Speaker B:Right.
Speaker B:We, we have the scene.
Speaker B:They, they eventually Roger and Judy end up in the crematorium area, right?
Speaker A:Oh, yeah.
Speaker A:I'm just going to direct.
Speaker A:I'm just going to direct.
Speaker A:To keep things in somewhat of a timeline, we're going to.
Speaker A:Betsel, Brian mentioned earlier dies early before that, which breaks the rule because normally in this movie you're waiting for.
Speaker A:You're waiting for Roger to die because he's the.
Speaker A:Unfortunately that's.
Speaker A:He's the black character in the movie.
Speaker A:And either.
Speaker A:Either he's going to be the first one to die, which is the stereotype, which doesn't really happen, or he's going to die saving Judy.
Speaker A:That's.
Speaker A:He's either going to be the first one dead, or the sacrificial negro, as we like to call him in the.
Speaker A:In the biz.
Speaker A:And she's going to wind up with Cell because they've had a history and he's the gay one.
Speaker A:But does that make sense?
Speaker A:Was the capable and Roger's gay, so he has to die because it's the 80s, but no, it doesn't happen.
Speaker C:Yeah, it's so.
Speaker C:I mean, there's so much set up to Sal falling to his death, and it's messy and weird and blah, blah, blah.
Speaker C: rough him that says born like: Speaker C:Died today tonight.
Speaker C:I.
Speaker C:I lost it at that.
Speaker C:I was like, I didn't know this was a comedy.
Speaker A:Allison, what's a famous song from west side Story tonight?
Speaker C:It all works.
Speaker A:It all works.
Speaker B:It works.
Speaker B:It's the west side Story subar.
Speaker B:Subplot.
Speaker A:I also.
Speaker A:I also love that they did like, he.
Speaker A:He.
Speaker A:I mean, he say he does save.
Speaker B:Judy because he does sacrifices himself for Judy.
Speaker A:He sacrifices himself for Judy, but she.
Speaker A:He winds up pulling demon Angela off the roof.
Speaker A:I love that they don't just fault that.
Speaker A:They somersault off the roof.
Speaker A:It's a great stunt.
Speaker B:Yeah, it's very good.
Speaker A:It's a great.
Speaker A:Yeah, but he winds up.
Speaker A:He winds up impaled on the wooden fence.
Speaker A:That's not in the movie.
Speaker A:It's there now.
Speaker A:It's in your chest now.
Speaker B:Deal with it.
Speaker B:See, I forgot that happened before.
Speaker B:The.
Speaker C:The.
Speaker B:The.
Speaker C:This is such a weird timeline.
Speaker B:It's such a weird timeline.
Speaker B:Are we at the crematorium now?
Speaker A:Is that the other thing I think is fun, too, that, like, a lot of like.
Speaker A:And all this running around, a lot of times the demons will just pop up.
Speaker A:And this is one of the things people like, why aren't they just killing them?
Speaker A:Because this is the fun part.
Speaker A:The demons will just pop up.
Speaker A:There's a whole series where demons keep popping up a Judy's face, like three in a row.
Speaker A:And I'm just.
Speaker A:And they just pop up and they roar at her.
Speaker A:But the vocal sound effect just sounds like they're burping in her face.
Speaker A:Like, everybody stop burping in my face.
Speaker B:It's the Same sound effect, too, for each of them.
Speaker B:Like, it's just the same one.
Speaker B:It's not a unique one.
Speaker B:For each one, they.
Speaker A:Well, they had.
Speaker A:They only had one guy doing the demon voice.
Speaker A:It was one actor.
Speaker A:Okay, you mentioned.
Speaker A:You mentioned the guys at the.
Speaker A:The.
Speaker A:The Cookie, Martin, Glasses.
Speaker A:Not him, the other one.
Speaker A:He did all the demon voices.
Speaker A:He worked at the filmmakers before he was.
Speaker A:He was a star of their previous film, which Board with Tonic Attain, which was a huge hit, which is how this movie got made, which is a totally different tone than this before.
Speaker A:It talks about it.
Speaker A:We're not talking about it again.
Speaker A:So off.
Speaker A:Off.
Speaker A:Mostly you also.
Speaker B:Fuck you.
Speaker A:To repeat my point from earlier.
Speaker A:Go fuck you.
Speaker B:Gfy.
Speaker B:Gfy.
Speaker B:So Roger and Judy are now.
Speaker B:I think the next big beat is Roger and Judy in the crematorium.
Speaker B:They're trying to get out.
Speaker B:Roger is being the coward at this point still.
Speaker B:And he's like.
Speaker A:He's trying to pray.
Speaker B:He's crying.
Speaker B:He's crying.
Speaker A:I love that, that they have this role reversal here, because normally it would be the girl who's cr.
Speaker A:Yes.
Speaker A:In the situation.
Speaker A:They have this wonderful moment where they.
Speaker A:Where they.
Speaker A:They get the door shut and they realize they're safe, and they just start laughing for a little bit because it's like that stress thing, and you realize how stupid and ridiculous.
Speaker A:And then he just starts to weep.
Speaker B:Raj, come on.
Speaker B:It'll be all right.
Speaker B:Please don't cry.
Speaker B:We're gonna make it.
Speaker B:I know we're gonna make it.
Speaker A:You really think so?
Speaker B:You already saved my life once tonight, didn't you?
Speaker B:That had to be for something.
Speaker B:I was God.
Speaker A:I guess so.
Speaker A:And normally that would be the girl.
Speaker A:And she consoles him.
Speaker A:She's the brave one.
Speaker A:All of a sudden.
Speaker A:So did the roles keep reversing and I think it's great.
Speaker B:Yeah, it's.
Speaker B:It was so good.
Speaker B:And then what I liked is he goes, can we pray?
Speaker B:She.
Speaker B:She goes, I've been praying all day.
Speaker A:Like, Judy, wait.
Speaker A:Don't.
Speaker B:We can't wait, Raj.
Speaker B:We gotta try.
Speaker B:There's no.
Speaker B:No other way out.
Speaker A:First let's pray.
Speaker A:My daddy, he told me how to pray real good.
Speaker A:Come on.
Speaker B:I've been praying all night.
Speaker B:Raj, we gotta go now.
Speaker A:He ain't listening.
Speaker B:Yeah, we need to do this now.
Speaker B:Like, you're not listening.
Speaker B:So they figure out they.
Speaker A:They don't know.
Speaker A:They don't.
Speaker A:They don't know they're in a crematorium.
Speaker A:They're just in the basement, as far as they know.
Speaker A:And she sees a big she sees a big door and she's like, I want it.
Speaker A:Go to the.
Speaker A:He's like, please.
Speaker A:Like, no, there's a door.
Speaker A:We're gonna have to try it.
Speaker A:Let's go.
Speaker B:And that's when she.
Speaker A:Off the pot, Roger.
Speaker B:Like, we have to go.
Speaker B:And these cha.
Speaker A:Chas need to get out of here.
Speaker B:We're gonna live.
Speaker B:We're gonna live, Roger.
Speaker A:The three of us are gonna live.
Speaker A:I don't know about you, Roger, but we're gonna live.
Speaker A:Me and my tits.
Speaker B:So that's when she opens the door.
Speaker B:Cause she thinks she can get out.
Speaker B:It's not a way out.
Speaker B:It's an oven.
Speaker B:And she figures this out when she sees a skull.
Speaker B:When she sees a skull and all these pip like this.
Speaker B:It's an oven.
Speaker A:What?
Speaker B:It's an oven, Raj, this is a crematorium.
Speaker A:I'm not sure I caught this last time.
Speaker A:And it goes by so quickly, and I meant to go back to it.
Speaker A:I couldn't tell.
Speaker A:It looked like the skull had fangs.
Speaker A:Oh, I don't know, because here's the thing.
Speaker A:This movie spawned two sequels in a remake.
Speaker B:Oh, wow.
Speaker C:What?
Speaker A:Yeah, there's a remake with Shannon Elizabeth.
Speaker C:Wow.
Speaker A:Yeah.
Speaker A:And in the.
Speaker A:The.
Speaker A:The infection starts in that one is because she finds a skull in the basement of this party.
Speaker A:She's like an influencer who's gonna have this party at Hull House, and she finds a skull in the basement, and it's got fangs, and she cuts herself.
Speaker A:One of the fangs.
Speaker A:That's how she gets infected.
Speaker A:So I'm not sure if they got that from this movie, but it goes by so fast.
Speaker A:I'm not sure if my brain just put that in there.
Speaker A:But, you know, I'm just gonna say, yes, it does.
Speaker A:But anyway, it doesn't matter.
Speaker A:It doesn't matter.
Speaker A:Yeah.
Speaker A:And this is when.
Speaker A:Before that.
Speaker A:This is when Judy has her revelation.
Speaker A:Revelation that.
Speaker A:You know, Wait a minute.
Speaker A:Maybe we don't have to get out of here.
Speaker A:Maybe we just have to wait till dawn.
Speaker A:Open the door, Raj.
Speaker A:We don't want you.
Speaker A:We want the.
Speaker A:You know we'd never hurt a nice little boy like you.
Speaker A:Go to hell, you dirty bastards.
Speaker A:Not tonight, my boy.
Speaker A:Oh, no, not tonight.
Speaker A:And rest assured, we've got something wonderful planned for you.
Speaker A:So much pain, so much sorrow.
Speaker B:Did you hear what they said, Raj?
Speaker B:Not tonight.
Speaker B:They won't go to hell tonight because.
Speaker B:Because it's Halloween, right?
Speaker B:That's why they won't go to hell tonight.
Speaker B:Right?
Speaker B:Because it's the one night of the year they don't have to.
Speaker B:Remember what Helen said, Raj.
Speaker B:Didn't she say that tonight's a special night of evil?
Speaker B:Remember?
Speaker B:Didn't she say that tonight's the one night of the year when all things unclean are free to roam among us?
Speaker B:Remember?
Speaker B:That's what she said, Rog.
Speaker A:Right, because remember what Helen said?
Speaker A:That it's.
Speaker A:Cause it's Halloween and the night where all the evil things walk the earth and they are in total power and they don't have to go to hell after all.
Speaker A:Because they don't have to.
Speaker A:Not tonight.
Speaker A:And Helen didn't say it.
Speaker B:A seance?
Speaker B:Isn't that a little chancy?
Speaker B:I mean, the sea is Halloween, the night when all the creepy things are supposed to stock the earth.
Speaker A:But that's okay.
Speaker A:It's okay.
Speaker A:She filled in the blanks.
Speaker A:And she's right.
Speaker A:But she's right, so I don't care.
Speaker A:She's 100% right.
Speaker B:Turns out she's right.
Speaker A:It's the night of the demons.
Speaker A:It's not the day of the demons and not the brunch of the demons.
Speaker A:It's not any of that.
Speaker B:It's that happy hour of the demons.
Speaker C:After party of the demons.
Speaker A:No, no, no, no, no.
Speaker A:There'll be no Waffle House of the demons.
Speaker A:There'll be none of that shit.
Speaker B:There'll be none of it.
Speaker B:There'll be none of it.
Speaker B:But she.
Speaker B:So now they realize, like, they're still stuck here.
Speaker B:Like, they can't get out this way.
Speaker B:And now the demons are at the door, right?
Speaker B:And they're like.
Speaker C:And they don't want Roger.
Speaker C:They just want that bitch.
Speaker B:Give her up, Roger.
Speaker A:This is something I caught this time.
Speaker A:This last time also.
Speaker A:This is one of those things again with the people.
Speaker A:Like, this is so stupid.
Speaker A:If the house can do anything, if the house can change itself.
Speaker A:If the house can do any of these things, why are the demons banging on the door?
Speaker A:Why can't the door just open so they can come in and kill him?
Speaker A:Like, cause that.
Speaker A:Why do they have to pull the hinge pin, the Lincoln pins, psychically?
Speaker A:Because that's scarier.
Speaker C:They know they can get them if there's human observance.
Speaker C:They can't change stuff.
Speaker C:They can only change when humans aren't watching and they're both watching that door so they can't just magic it out.
Speaker A:I don't buy that.
Speaker A:I don't buy that.
Speaker A:I just think we want these two to be absolutely terrified when we finally take them.
Speaker A:We want them to be as terrified as they can Be.
Speaker A:And Angela starts using subtle racist language with him.
Speaker A:She starts calling, calling him boy, keeps calling Roger boy.
Speaker A:And it's never happening the rest of the movie.
Speaker B:True.
Speaker A:I'm gonna kill you.
Speaker A:And hey, boy, we're gonna do something special with you too, boy.
Speaker A:The people in my watch party got a little upset with that.
Speaker A:Some of them like, that's terrible.
Speaker A:The casual racism of the 80s.
Speaker A:I'm like, I think that's the point.
Speaker C:Yeah, yeah.
Speaker C:This is one of the times where that's the point.
Speaker A:Why El Salon.
Speaker A:This movie is.
Speaker A:Demons are dicks.
Speaker C:Yeah, yeah, yeah.
Speaker A:These demons are dicks.
Speaker C:Demons aren't good people.
Speaker A:They're not killing you because they're dicks.
Speaker B:Yeah, 100%.
Speaker A:So you're really wasting my time.
Speaker A:Please just kill me.
Speaker A:I got things to do.
Speaker B:Kill me already.
Speaker B:Just kill me already.
Speaker A:I have so many more tricks to show you.
Speaker A:They keep saying that too.
Speaker A:The party's just begun.
Speaker A:Where are you going?
Speaker A:We have so many things to show you.
Speaker A:Because we're dicks.
Speaker B:Very true.
Speaker B:Because we're dicks.
Speaker B:Because we're dicks.
Speaker A:Night Add a Dicks is another movie that.
Speaker A:That's another movie.
Speaker C:That's a different movie.
Speaker B:Yeah.
Speaker B:Different genre.
Speaker B:Different genre, different movie.
Speaker B:So they decide to fashion, right?
Speaker B:They're like, we.
Speaker B:We're gonna.
Speaker B:We're gonna.
Speaker B:We're gonna get through this.
Speaker B:I have Chekhov's lighter, gov.
Speaker B:Slider Jack Jobs lighter, Slider jack Gov's lighter.
Speaker A:And she flick that big flick.
Speaker A:That big flick that.
Speaker B:She literally.
Speaker B:That would be the chance.
Speaker B:If this was like Rocky Horror Picture style, that would be the chant.
Speaker A:We'll come back after the show.
Speaker A:Yeah.
Speaker B:So she like, literally manhandles the pipe, rips it off the wall from the.
Speaker B:From the crematorium oven.
Speaker B:So that gas is spouting out of it, obviously.
Speaker B:And because the toilets don't work, but the gas still does.
Speaker B:And she.
Speaker A:Well, that's.
Speaker A:That's.
Speaker A:That's why.
Speaker A:Because the head demon was living in there.
Speaker A:So it's filled with demon farts.
Speaker B:Of course.
Speaker B:Of course.
Speaker A:Yeah.
Speaker A:We've already covered the demon's fart because they smell.
Speaker A:It's all.
Speaker A:It's all there.
Speaker A:It's all there.
Speaker B:It's all there.
Speaker B:It makes sense.
Speaker B:Sense.
Speaker B:It makes perfect sense.
Speaker B:And she flicks the lighter.
Speaker A:You're not paying attention.
Speaker A:It's all there.
Speaker B:It's all there.
Speaker B:It's all there.
Speaker B:She flicks the lighter, makes it a blowtorch.
Speaker B:They've now, Patrick has already said they've taken the lynch pins out the hinges off and have now come in.
Speaker B:Just as she flicks the.
Speaker B:The Bic and makes it a blowtorch and torches them so that they can escape and they can escape out.
Speaker B:But they still have a problem.
Speaker B:Problem.
Speaker C:And.
Speaker C:And there's a skeleton.
Speaker A:I'm call time.
Speaker A:I'm going to call time because I want to talk about.
Speaker A:This is a great burn scene.
Speaker A:The burn effects, the two demons burning is really well done.
Speaker A:And also when they're done burning their makeup.
Speaker A:The makeup in this is great.
Speaker A:The demon makeup is great, especially because it keeps changing too, which I think is fun, but depending on how.
Speaker A:How evil they're being at that time.
Speaker A:But the burn demon makeup looks like it hurts.
Speaker A:It's swollen, it's shiny, it's wet.
Speaker A:It's so good.
Speaker A:It's so good.
Speaker A:It's so, so grizzly.
Speaker A:Please continue.
Speaker B:But it's.
Speaker B:No, I.
Speaker B:I agree.
Speaker B:It's really, really good.
Speaker B:And the stunt people, they were on fire for a while.
Speaker B:So those stunt people who were in.
Speaker A:They're dead.
Speaker A:They're dead now.
Speaker A:They're dead now, by the way.
Speaker B:They're just dead now.
Speaker B:But they did really good.
Speaker A:We couldn't afford stunt people, so it was the crew, and they're dead now.
Speaker B:That guy, that guy that was in the quickie, Bart.
Speaker B:Dead now.
Speaker B:But they.
Speaker B:So they.
Speaker B:They, you know, there's a whole bunch of back and forth, but they end up getting out.
Speaker B:Right.
Speaker B:They use this to get out, but they still a problem.
Speaker C:Need to get over that wall.
Speaker B:They need to get over this wall.
Speaker A:This last scene is so visceral.
Speaker A:It just.
Speaker A:Oh, it, like, makes my spine crawl.
Speaker A:I love it so much.
Speaker A:It's physically painful.
Speaker A:Tell me what happens.
Speaker B:It is so painful.
Speaker B:So now they're trying to find this way out.
Speaker B:They're trying to get over this wall.
Speaker B:Right?
Speaker B:And there's like a.
Speaker B:Like a rose bush.
Speaker C:Yeah.
Speaker B:Something with thorns.
Speaker C:Thorns or are they are barbed wire?
Speaker A:Barbed wire?
Speaker B:Is it barbed wire?
Speaker B:I thought it was like back and.
Speaker C:Forth between figure out which one it would be and which one it could be.
Speaker C:But I'm just like, whatever.
Speaker A:It's one hearty rose vine.
Speaker B:Yeah, yeah.
Speaker C:That's true too.
Speaker B:It's true.
Speaker B:It's true.
Speaker B:So they're trying to climb it, but obviously it hurts.
Speaker B:We have to get to the gate.
Speaker A:There is no gate.
Speaker B:The gate's over here.
Speaker A:There is no gate.
Speaker A:Come on.
Speaker B:But in the background, everybody is coming after them, whether they're possessed, full on demon, burned like nuts, or if it's just Max missing an arm, which he did have a reanimated arm in a moment that grabbed Judy at some point in this movie, which I thought was the rub.
Speaker A:It was so good.
Speaker B:Yeah, it was so good.
Speaker B:I know we kind of skipped that part, but that was so good.
Speaker B:But like they're all like, like Night of the Living Dead style, like pressing, trying to get them.
Speaker C:Yeah.
Speaker B:Roger gets to the top of the wall, right?
Speaker B:In essence of time.
Speaker B:Roger gets to the top of the wall and he's like, Judy, give me your hand.
Speaker B:And he's trying to pull her up and he's trying to pull her up.
Speaker B:And they're having a hard time.
Speaker B:They're having a hard time.
Speaker B:And Roger falls to the other side of the wall.
Speaker B:So at this point, Roger's safe.
Speaker B:Roger is a safe man.
Speaker B:He.
Speaker B:He could live.
Speaker A:And we've already established.
Speaker A:And we've established he's the coward.
Speaker A:Like, he's gonna leave her, dare to.
Speaker B:Die, he's gonna leave her here, but he doesn't.
Speaker B:Yay, Roger.
Speaker A:I don't give a shit what you say about Judy or Kathy Pottawell, the actress playing the role in the rest of the movie.
Speaker A:She's surfing on this barbed wire.
Speaker A:I felt every fucking barbed wire.
Speaker A:I felt my hand shredding.
Speaker B:Yes.
Speaker A:Oh my God.
Speaker B:It'S.
Speaker A:Judy.
Speaker C:Roger, where you going?
Speaker A:The party's just begun.
Speaker A:My mother, in situations like this, when we watch Hard Mode, she goes, oh, oh, this is desperate.
Speaker A:This situation is desperate.
Speaker A:This situation is desperate.
Speaker A:The part where you see where Stooge grabs her leg when she kicks him away, you see, he's like, just cause he's been burnt, he's still so hot that he burned through her tights and has blistered her flesh.
Speaker A:That's so fucking grizzly.
Speaker A:And you see hope all going out of her and like she's like, this is it.
Speaker A:Yeah.
Speaker B:And else as the audience is like, this is it.
Speaker B:Because we've established Roger's the coward.
Speaker B:But that hand comes down and Roger.
Speaker B:Roger gets her and he pulls her over the top of the wall.
Speaker A:And he.
Speaker A:And he sells climb, girl, climb.
Speaker A:Cuz he's gay, so he spelled it with a U.
Speaker A:Roger.
Speaker A:Cl.
Speaker B:Girl.
Speaker B:Cl.
Speaker A:So with girl.
Speaker A:You.
Speaker A:I heard that.
Speaker A:You and the girl.
Speaker A:I heard it.
Speaker A:Yes, I heard it.
Speaker B:Oh my gosh.
Speaker B:So they.
Speaker B:They live.
Speaker B:And the sun starts to come up.
Speaker B:They have the demons, I guess, kind of like Dracula.
Speaker B:They don't like that sun and they kind of burn up.
Speaker A:It's the night.
Speaker A:It's Halloween night.
Speaker A:Not how it's not.
Speaker A:It's All Souls day.
Speaker A:This is the whole.
Speaker A:It's this the holy day of obligation, you guys.
Speaker A:The demons have to go to church or it's a sin.
Speaker B:Yes.
Speaker A:So, yeah.
Speaker A:So no, their time's over.
Speaker A:This was it.
Speaker B:Their time's over.
Speaker B:That sun comes up.
Speaker B:They burn up into like this crazy like black smoke that goes into the air.
Speaker B:And that's when our friend the sock puppet comes back and he's all like, I'll get you next time, my pretties.
Speaker B:And like gets sucked back into the house, right?
Speaker B:Like eventually.
Speaker B:Like the.
Speaker B:You see like this weird animation where he gets sucked kind of, I'm assuming, back into the house.
Speaker B:I'm assuming, right, I'm assuming.
Speaker B:But the sock puppet is great.
Speaker B:And you see it for like, it feels like five minutes where he's like.
Speaker C:It'S not that long, but it's just.
Speaker A:Feels like it's a long.
Speaker A:Yeah, it's a long time because it turns profile goes the other profile.
Speaker A:You get to see the whole thing.
Speaker A:And it's not great.
Speaker A:None of it's great, but I love it anyway.
Speaker B:But it's so good.
Speaker B:It's so good.
Speaker B:So they live and they're like, oh my God, we live.
Speaker B:But we have to go back, right?
Speaker B:We have to go back to the top of the movie.
Speaker B:We're walking back down the street.
Speaker C:Street.
Speaker B:Because now they're.
Speaker B:They're all disheveled.
Speaker B:They've been through this and now they're walking down their suburban street, right?
Speaker A:It's like me crawling home in the morning, like when everyone else is going to work and I'm coming home, right?
Speaker A:I'm just.
Speaker A:I am wrecked from head to toe.
Speaker A:I stink.
Speaker A:I'm dirty.
Speaker A:I got burnt.
Speaker A:I got burnt up at like lipstick in my tits.
Speaker B:That's.
Speaker A:They're both.
Speaker A:They are both hot messes.
Speaker B:And this, this old man from the top of the movie, the one that wants to put razor blades in Amazon hate and hates Halloween and does all these things.
Speaker B:He.
Speaker B:He sees them and is like, kids, kids.
Speaker B:No idea what they've been through.
Speaker A:Filthy, he calls them filthy pigs.
Speaker A:Rotten pig trash.
Speaker B:Now to all night, huh?
Speaker B:Yeah, they're all rotten.
Speaker A:Hell, don't with them right now.
Speaker A:Don't fuck with them right now.
Speaker A:I really wanted them to just turn on the hills and be like, okay.
Speaker B:Listen, this sock puppet demon possessed all my friends.
Speaker B:All my friends are dead.
Speaker A:I'm gonna have to.
Speaker A:Hold on, hold on.
Speaker A:I'm gonna have to kick your old ass right now.
Speaker A:But fortunately, fate has other things in store for this old Man.
Speaker B:Because we keep following the old man and I keep being like, what?
Speaker B:What's with this old man?
Speaker B:So it's the morning time and his wife gives him pie for breakfast, I guess.
Speaker B:And.
Speaker B:And he goes, you don't normally.
Speaker B:You don't normally make pies.
Speaker B:And she goes, well, you bought all those apples.
Speaker B:I had to do something with them before they went bad and made.
Speaker A:Why you buy so many?
Speaker B:This is why you bought so many.
Speaker B:But they were his razor apples.
Speaker B:And all of his throat gets cut open from the inside.
Speaker B:Is it good, dear?
Speaker B:Okay.
Speaker B:Just okay?
Speaker B:You used to love my homemade pies.
Speaker A:Homemade?
Speaker A:When did you make this?
Speaker B:I've been up for hours, sleepyhead.
Speaker B:I made it while you were getting.
Speaker A:Your beauty rest last night.
Speaker B:There weren't as many trick or treaters last night.
Speaker B:Not like the good old days.
Speaker B:I had to do something with all those leftover apples.
Speaker B:I still can't understand why you buy so many.
Speaker B:Happy Halloween, dear.
Speaker B:How she didn't find the razors when she was making this pie.
Speaker B:I don't know.
Speaker C:Notice them in his mouth as he ate pieces of pie.
Speaker A:Shush, shush, shush, shush, shush, shush.
Speaker A:It's okay.
Speaker A:No, yeah.
Speaker A:Cuz there.
Speaker A:It's not like slivers of razors.
Speaker A:It's like the whole like shake razor comes shooting out of his throat and come down like they're on remote controls.
Speaker A:Like I.
Speaker A:I don't care.
Speaker A:I.
Speaker A:Well, no.
Speaker A:What do you mean?
Speaker A:She did it on purpose?
Speaker B:She did do it.
Speaker C:Oh, she did do it on purpose.
Speaker B:She smiled at the end.
Speaker A:No, she said, happy Halloween, dear.
Speaker B:She smiled at the end.
Speaker B:Happy Halloween.
Speaker C:Than he is.
Speaker A:You know what if you put up with him for like 50 years.
Speaker C:No, probably.
Speaker C:Yeah.
Speaker A:You know what?
Speaker A:Eat a pie.
Speaker A:You know, probably, probably even.
Speaker A:He probably never ate her pie.
Speaker A:Just ate her pie.
Speaker B:I felt weirdly vindicated for her.
Speaker A:And never complimented either.
Speaker B:Yeah, no, no, no, no.
Speaker B:I felt really vindicated for her.
Speaker B:I was like, good for you.
Speaker B:Like I like.
Speaker B:I know that was supposed to be like a.
Speaker B:But I was like, good for you.
Speaker B:He wasn't sure.
Speaker A:No, no, no, no, no, no.
Speaker A:And actually that both the, the, the, the first scene, the last scene were ended at the last minute.
Speaker A:They weren't there.
Speaker A:It needed buttons.
Speaker A:It's a good button.
Speaker A:It's a good gory button.
Speaker A:It's a one good gross out before we go home.
Speaker A:What I also like too is that it's an 80s movie and the Last Moment isn't a pitch for a sequel.
Speaker B:Right.
Speaker B:It could have ended Right there.
Speaker A:No, it's over.
Speaker A:It's over.
Speaker A:The story's over.
Speaker A:Although it wasn't because there was two more sequels in a remake.
Speaker B:It could have easily ended just right there, little end cap done.
Speaker A:But it didn't.
Speaker B:But it didn't.
Speaker B:Evidently too big of a hit.
Speaker A:And we're glad it went because it was Night of the demons 2.
Speaker A:If it didn't happen, we might not have Christine Taylor from the Brady Bunch movie.
Speaker A:It was one of her first movies.
Speaker B:Yeah, there you go.
Speaker B:There you go.
Speaker A:The one who looked like Marcia.
Speaker A:The one who looks like Marcia Brady.
Speaker C:Yeah.
Speaker A:Who married Brad Stiller.
Speaker B:There you go.
Speaker A:And then.
Speaker A:And then where would it be?
Speaker A:Because then the line I just threw up in my mouth a little bit.
Speaker A:Wouldn't be a thing because she.
Speaker B:Wouldn't be a thing because she.
Speaker B:Yeah.
Speaker B:What would we do.
Speaker B:Do without that?
Speaker B:What would we do without that in our lives?
Speaker A:Sure.
Speaker A:Jan.
Speaker A:Wouldn't be a thing because any of these things.
Speaker A:And it's all thanks to this crazy little movie.
Speaker A:I love this little movie.
Speaker A:I love it.
Speaker A:I never get tired of it.
Speaker A:There's.
Speaker A:I always find something new with it.
Speaker B:I unironically loved it.
Speaker B:It was great.
Speaker A:I hoped you would.
Speaker A:I mean, because I never know with YouTube, I never know.
Speaker A:But, you know, we.
Speaker A:We've had some rough patches with these movies.
Speaker B:I made you sit through Girl on the Third Floor.
Speaker B:Okay, there wasn't that.
Speaker A:No, that was.
Speaker A:I.
Speaker A:That was me nitpicking.
Speaker A:But no, it was a fine movie.
Speaker A:I just had issues.
Speaker A:And that I've discovered that a producer who did that is other movies.
Speaker A:I've loved the one I can't think of at all, but it was great.
Speaker A:I covered on it was a wounded fawn.
Speaker B:That's all right.
Speaker A:No, because in the middle of it, all of a sudden, it literally, like, literally Greek theater busts out.
Speaker A:Literally.
Speaker A:Like the dialogue is like the stage directions from Greek theater.
Speaker A:I'm like, I know these stages.
Speaker A:I know all of this.
Speaker A:It's actually Greek theater right now.
Speaker A:It was smart.
Speaker A:It was sexy.
Speaker A:Great.
Speaker A:But no, it's great.
Speaker A:We're not talking about.
Speaker A:We see how she Shanghai things.
Speaker A:She makes us talk about CM Punk.
Speaker B:Always.
Speaker B:Always.
Speaker B:That's my end game.
Speaker B:Always.
Speaker A:No, I'm glad you liked it because I never know what you do.
Speaker A:I never know, but glad I don't have to force it out of you.
Speaker A:Like, I've had to do it for other things or just like it turned into a shit show.
Speaker A:Like other Alien movies.
Speaker A:We could talk about that movie.
Speaker C:I still Think about that movie.
Speaker A:Well, it depends which Alien movie we would say talking about.
Speaker A:We're talking about Fart Planet Flat Colon, Floodplain of the Farts is one thing, but I don't know what it is.
Speaker A:That movie is having a resurgence.
Speaker A:I don't know what it is, like, really.
Speaker A:It's on every.
Speaker A:It's on like all the streaming platforms right now.
Speaker A:I keep seeing it.
Speaker A:I don't know if it's just.
Speaker A:The algorithms are just decided that it loves.
Speaker A:I love this movie, but I think it just got a new release or something because even my public, the public library has it in there.
Speaker A:The staff choices.
Speaker A:And it's been there for three months.
Speaker A:I'm like, it's really not that good a movie.
Speaker A:Tits are great.
Speaker A:And it's great if you like sandwiches or like abandoned sandwiches.
Speaker A:But aside.
Speaker B:I hate abandoned sandwiches.
Speaker A:Or, Or I know you.
Speaker A:If you were in the movie, they'd be.
Speaker A:No, they'd be like, I'm sorry, this movie's not working.
Speaker A:Abandoned sandwiches.
Speaker C:Who abandons a sandwich?
Speaker A:What.
Speaker B:What?
Speaker A:Abandoned sandwich?
Speaker A:Or if you're a really big Wendy, what's her name fan.
Speaker A:There's no reason.
Speaker C:Watch a movie, Shaw.
Speaker A:But, you know, even, even.
Speaker A:Even with the alien pornography film, nobody's tits did what these tits did.
Speaker B:No, they did not.
Speaker A:Although this movie could have used some alien lesbian nurses.
Speaker A:They could have used some.
Speaker A:They could have saved them.
Speaker C:What movie can't.
Speaker A:So, yeah, I think we've done Night of the Demons.
Speaker A:There's not much to reminisce about.
Speaker A:Plus, I don't want to reminisce too much about it because I'm doing a second part of this episode.
Speaker A:I'm gonna have my friend Matt Nyda on who adores this movie, and we're gonna talk about why it resonates.
Speaker A:So why do we love this movie so much?
Speaker A:So last time I wanted to do like, this is.
Speaker A:This is the cold open for the first time.
Speaker C:This is.
Speaker C:This is the.
Speaker C:The goofy straight couple talking about boobs.
Speaker C:And now we'll move on to actual smart stuff.
Speaker A:Yeah, I just realized.
Speaker A:Yeah, you're like the only straight people about on this whole season.
Speaker B:Really.
Speaker B:Hey.
Speaker A:But hey, you're here for my birthday episode.
Speaker A:Even though it's not my birthday.
Speaker A:It's okay.
Speaker A:It's.
Speaker A:We'll be airing for my birthday.
Speaker A:So.
Speaker C:Happy birthday, Patrick.
Speaker A:Thank you.
Speaker A:Thank you.
Speaker A:It's not happened yet.
Speaker A:Don't think this is going to count.
Speaker B:Good.
Speaker B:Now we don't need to do anything.
Speaker A:I still expect a gift or some kind of Presentation.
Speaker C:You will get a like on Facebook.
Speaker A:You will get nothing.
Speaker A:And you will like it.
Speaker B:You get nothing.
Speaker A:But.
Speaker B:No, no, nothing.
Speaker B:I said nothing.
Speaker B:You get nothing.
Speaker A:But I don't like it.
Speaker A:You will.
Speaker B:You better.
Speaker A:All right, Brian, do you still do a podcast?
Speaker A:Do you still do your Scott podcast?
Speaker C:No.
Speaker A:Good.
Speaker C:Sometimes I do one, but it is not enough.
Speaker A:So we're all pod faders now.
Speaker A:Is that.
Speaker B:Welcome to the club, Patrick.
Speaker B:Welcome to the club.
Speaker A:One of us.
Speaker A:One of us.
Speaker A:Google gobble.
Speaker C:I do have to commend you, Patrick, on.
Speaker C:On actually ending the podcast on your own terms.
Speaker C:I did that with 23 minutes of ska.
Speaker C:I was just like most podcasts, just stop uploading one day.
Speaker C:And to do a true end is.
Speaker C:Is something special.
Speaker C:I did it.
Speaker C:I'm glad I did it for that show, and I'm happy that you're doing it for this show.
Speaker A:Thank you.
Speaker A:I couldn't not do that.
Speaker A:It's been 15 years.
Speaker A:I've had people who've been with me the whole 15 years.
Speaker A:I can't just walk away from it unless it was an emergency.
Speaker A:Unless I had no other choice.
Speaker A:But I said I'm going to go, and I'm going to go on my own terms.
Speaker A:So thank you for recognizing how awesome I am for choosing that route.
Speaker C:Yeah.
Speaker A:Yeah.
Speaker A:The thing that I'm learning is that I'm recording these last episodes out of order and long before I plan on airing them, because I'm realizing, no, just otherwise, I'm going to be.
Speaker A:If I was just doing them at my normal schedule, like record, record, record, edit, put them out, I'd be an emotional wreck.
Speaker B:Yeah.
Speaker C:Yeah.
Speaker A:I'll be able to do this.
Speaker A:I'll be able to end this episode with you and probably not cry.
Speaker A:Probably.
Speaker A:Maybe.
Speaker A:Who knows?
Speaker A:But because I realized that recording the episode and ending it with these.
Speaker A:With my favorite guests, these friends that I've made over the years is going to hurt.
Speaker A:And it has every time.
Speaker A:For all the other episodes that I've done, it's going to be another thing when I'm hitting the button to post it.
Speaker A:That's going to be a big thing.
Speaker A:So I'm going to realize I just have to take my time with the ending to do it right.
Speaker B:Yeah, do it right.
Speaker B:Do it right.
Speaker C:Do it right.
Speaker C:Do.
Speaker C:Give the show the Legacy it deserves.
Speaker B:100%.
Speaker B:100%.
Speaker B:And we.
Speaker B:We're.
Speaker B:We're honored.
Speaker B:We're honored to be a part of.
Speaker B:You know, we've.
Speaker B:We've.
Speaker A:Oh, no.
Speaker A:You know, you're lucky.
Speaker A:You're Lucky.
Speaker A:You're just lucky.
Speaker A:You're lucky.
Speaker A:You're lucky.
Speaker A:You're lucky I had an opening.
Speaker C:All right.
Speaker B:We've been around for a while with the show, and we're honored that we get to be a part of the farewell tour, so to speak.
Speaker B:And, you know, we've, you know, not only have we been colleagues through all of this and been guests on the show, but you've become a really great friend.
Speaker B:And I have, I have.
Speaker A:I really have.
Speaker A:I am.
Speaker A:I really am.
Speaker B:You like me.
Speaker B:You really like me.
Speaker A:You're welcome.
Speaker B:You're welcome.
Speaker B:All right, well, don't say I never said anything.
Speaker A:Okay, bye.
Speaker A:No, no, no.
Speaker A:Fuck.
Speaker A:The fuck.
Speaker A:You know, I always say, I always say thank you.
Speaker A:I mean, I mean, this all started with me harassing you.
Speaker A:I mean, harassing you on your own.
Speaker A:I came to your house, basically, I would invade your show and annoy the shit out of you.
Speaker A:And the fact that you're still talking to me at all, the fact that you show up on these shows and keep doing it, I, it is not gone unnoticed.
Speaker A:It's not gonna notice.
Speaker A:It's not been unappreciated.
Speaker A:I, I, I, I don't talk to people I like this much like real life.
Speaker A:I don't talk to real life people in my life.
Speaker A:I haven't kept them in my life this long.
Speaker A:So I do appreciate that you've been supporting the thing that we support each other all these times, and we've met in real life multiple times.
Speaker A:Not you, Brian, only once, but multiple times.
Speaker B:Please.
Speaker B:No.
Speaker B:Absolutely no.
Speaker A:It's been a pleasure and it's, it's got to be good to end this with a bang.
Speaker A:And not like the, and, or with a pew pew.
Speaker A:And not like the kind of bang, not like the kind of bang that happens in a parking lot in that other.
Speaker A:Now you've taught me the difference between banging bone and railing.
Speaker A:Where can we go?
Speaker C:Now we know.
Speaker B:Now we know.
Speaker B:Now we know.
Speaker A:I'll never be the same.
Speaker A:All right.
Speaker A:Thank you so much.
Speaker A:I love you both.
Speaker A:Thank you for going on this crazy journey with me.
Speaker A:Thank you for staying on this crazy journey.
Speaker A:Now get the out of here.
Speaker A:I love you both.
Speaker A:Stay safe, stay healthy.
Speaker A:Stay fabulous.
Speaker A:Say something.
Speaker C:Oh, yeah.
Speaker C:You're the best, Patrick.
Speaker C:We love you.
Speaker A:Thank you for having I.
Speaker A:Fuck it.
Speaker A:We have one job.
Speaker A:When you come here, make me look good.
Speaker B:I thought that was the end.
Speaker C:I thought that was the button on the end.
Speaker A:It's not you.
Speaker A:The guest is always the button at the end.
Speaker A:It's been 15 years and you haven't figured out that guest is always the fucking button at the end.
Speaker A:Get off my show.
Speaker A:Get off my show and never ever come back.
Speaker A:I love you.
Speaker A:No, no, no.
Speaker A:I just never have.
Speaker A:You take direction.
Speaker A:I said good day.
Speaker A:Wow.
Speaker A:Wow, wow, wow.
Speaker A:That was even more ridiculous than I could have ever possibly dreamed.
Speaker A:Wow, wow, wow.
Speaker A:Thank you so much to Allison Nowacky and Brian J.
Speaker A:Polk for coming back one last time and ending your run on this show with a bang and a lipstick in the titty and a fuck ball.
Speaker A:That was a ton of fun.
Speaker A:How can we possibly top an episode like that?
Speaker A:Well, I'll tell you.
Speaker A:Because as I mentioned earlier, this was only part one of the Night of the Demon Spectacular.
Speaker A:Next time I'm gonna be sitting down with Matt Knife.
Speaker A:Now, Matt is a super fan of the movie and we decided to have a long discussion about what makes this movie resonate.
Speaker A:What is it about this crazy little movie that rings so much with the gays?
Speaker A:Why do we love it so much?
Speaker A:Why do we obsess over this movie?
Speaker A:Why is it the best movie ever made?
Speaker A:So it's gonna be a very different discussion than what we had with Alice today.
Speaker A:Today was all about the joy of discovery and next time is gonna be about the thrill of analysis.
Speaker A:And you know what's fun about analysis?
Speaker A:It has a the word anal in it.
Speaker A:I got nothing.
Speaker A:But much like that two part Friday the 13th spectacular I did two years ago.
Speaker A:I want to hear from you too.
Speaker A:If you've got a special attachment to Night of the Demons, I want to hear from you.
Speaker A:If you've met any of the cast that have a cool story, I want to hear from you.
Speaker A:There's something about this movie that makes your soul sing in a certain way that people, you think other people don't understand.
Speaker A:Trust me, we understand and we want to know.
Speaker A:So get in touch with me.
Speaker A:Either drop me a line on the various social medias, your message me on Facebook, which you could do at Scream Queens or on Instagram Scream Queens podcast.
Speaker A:If you really, really want to, you can drop me an email at screamqueens06gmail.com scream queens06gmail.com or you can head on over to scream queens.com and leave a voicemail message.
Speaker A:There's a little tab on the right hand side.
Speaker A:You just click the tab.
Speaker A:There's a little tab on the right hand side of the screen that says leave me a voicemail.
Speaker A:Just click it and do what it says, baby, and I'll play it on the show and it'll be cool.
Speaker A:No, will not be cool.
Speaker A:It will be fabulous.
Speaker A:So if you've got something that you want to share about Night of the Demons, get it to me any way possible, but get it to me by May 25th.
Speaker A:That's May 25th to get your entries in.
Speaker A:So I think that's all I've got for you this time.
Speaker A:So until next time, my beautiful, beautiful screamers, please continue to make the world the more fabulously creepy place.
Speaker A:And you do that by following that scream queen's golden rule.
Speaker A:Say it with me, kids.
Speaker A:Fight or flight.
Speaker A:Say it with me, gang.
Speaker A:Fight or flight.
Speaker A:Survive the night, make it to the final reel.
Speaker A:Stay safe, stay healthy.
Speaker A:But most of all, stay fabulous.
Speaker A:All of the music for tonight's show, unless otherwise specified, has been written by Sam Haynes.
Speaker A:You can find all of his music@www.bandcamp.com bitch.
